A fascinating and poetical collage of countless images from the 20th century with the purpose of revealing matters of life and death during the era and its many social, cultural and political transformations, with the director making several statements on several issues, combining fact and fiction to compose his powerful mosaic of images along with the magnificent music of Wim Mertens. A true work of art that dares to make several questions about the human condition, its contradictions and ironies.

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

Between Bresso, Sesto San Giovanni and Milan, we immerse ourselves in the lives of Vash and Felce, who together make music, do heroin and share everything. Their reality is sometimes brutal, often comical, tragic and romantic.

A director faces creative block while working on his latest film - a reimagination of his adolescence growing up in a mountain village in rural Japan.

“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

A former circus artist escapes from a mental hospital to rejoin his mother - the leader of a strange religious cult - and is forced to enact brutal murders in her name.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

A son is tired of bailing his mother out of trouble. In order to save her from herself, he must resort to extreme measures to confront her with the truth.

Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.

After World War I, a young ex-soldier, Sébastien Monge, returns to his home village. Ignorant of his past, he learns that, 24 years before, his entire family was slain in their home one stormy night. Only Sébastien, then a four-month old baby, was spared. Whilst Sébastien is being seduced by Charmaine, Dupin is killed by someone else. Sébastien’s next victim, the miller Didon Pujol, is also murdered before he has a chance to take his revenge. Sébastien realises that someone is watching his every move and is going to extraordinary lengths to protect him. But who, and why..?

Returning home from a business trip to discover his wife missing, a man delves deeper and deeper into a surreal kaleidoscope of half-baked leads, seduction, deceit, and murder.

A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.

Vera is a troubled teenager fresh out of school feeling trapped in her provincial port town during the turbulent times of perestroika. Her days and nights are filled with drinking, sex, and family dysfunction.

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.

An English girl and an Indian elephant, born on the same day, share a common destiny...

In this erotic spy tale private eye Cody Abilene teams up with the Contessa Luciana and policewoman Beverly McAfee to infiltrate a mansion and discover who is sending computer secrets to the Russians.

یک پزشک از نیویورک در دهه ۱۸۹۰ به یک مزرعه دورافتاده سفر می‌کند تا از پسری آشفته مراقبت کند که به نظر می‌رسد توانایی‌های غیرقابل توضیحی دارد. او شروع به درمان کودک می‌کند، اما با انجام این کار، جنگ بین علم و دین را به راه می‌اندازد، چرا که کشیش محلی معتقد است که پسر توسط شیطان تسخیر شده است و باعث بدبختی‌های روستا شده است.