Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.
Bellator 123 was headlined by a Featherweight Championship rematch between Pat Curran and Patricio "Pitbull" Freire. The two originally met in a closely contested fight at Bellator 85 on January 17, 2013, with Curran winning the bout via split decision. The rematch was initially scheduled to take place at Bellator 121, however, it was announced on May 21, 2014 that Curran had pulled out of the bout due to a calf injury.
Les Blank's first feature-length documentary captures music and other events at Leon Russell's Oklahoma recording studio during a three-year period (1972-1974).
Sawamura, a contract part-timer dragged into a multi-million yen internet business, and Kamo, an office worker who lavished money on a beautiful club hostess, arrive at Cowcow Finance, the office of black-market lender Ushijima.
L'Allemagne Nazi vient d’attaquer l’Union Soviétique. Quelque part en Carélie, loin du front, les 5 servantes d’une batterie de D.C.A. et l'adjudant-chef Vaskov, doivent faire face à une situation imprévue : un commando allemand a été parachuté. La liaison avec l’État-major coupée, le petit groupe se retrouve complètement isolé. Vaskov et ses 5 filles livrent un combat inégal contre les 16 commandos allemands...
Nono, a Dutch kid lacking two days being thirteen, runs away from problems at home and, disguised as a girl, takes up with the world's cleverest thief, who unbeknownst to Nono, may hold the bizarre key to his true identity.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Avery est sur le point de lancer une nouvelle application de rencontre, « Love Map ». Elle négocie un partenariat avec une agence de voyage qui lui demande de dénicher les lieux les plus romantiques de Floride, avec l'aide de Ian, un charmant guide touristique...
A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
Raj and Kajal get married and after coming back from their honeymoon, Kajal meets a man who can predict the future. About her, he says she will die within two days and this does happens. After which, Raj kills that man and Kajal is back to life.
A boy on the wrong path finds a trusted mentor and group of friends to guide back on his way.
Voici comment est née la série Beverly Hills. Depuis l’idée novatrice de Darren Star l’auteur, la force de conviction d'Aaron Spelling le producteur, en passant par le choix des acteurs, le tournage des premiers épisodes et enfin, le succès planétaire.
A girl born in the former Yugoslavia returns to a mountain village her grandmother fled during the Greek Civil War. The place has become a trendy ski resort and no longer corresponds to her family memories.
Joseph Alex and Bharathchandran, two police officers, try to prevent Major Abu Jalal Rana, a terrorist, from attacking New Delhi.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."