STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.
A young photographer's home is haunted by it's former residents.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.
Amelia Lewis is super excited when she buys an available storefront, planning to open a year-round Christmas shop. But her celebration comes to a screeching halt when she discovers that Vic Manning has also bid on the property. After continually bickering and trying to one-up each other, the two combatants learn to work together and even get the merchants on Main Street to put aside their differences for the greater good.
Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
A spider gets lost inside the sphinx.
From Minoru Kawasaki, the director of "The Calamari Wrestler," "Executive Koala," "The Entire World Sinks Except Japan," and "The Rug Cop," comes the epic story of a giant crab who washes ashore, befriends a boy, finds love, and becomes a sports legend. The film has been described by Kawasaki as being 'like Forrest Gump...but with a crab.'
"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.
Shikidouji, the illustrator of Shoji Gatoh's Full Metal Panic! light novel series, revealed that production has been green-lit on a "director's cut" version of the first Full Metal Panic!! television anime series from 2002. The director's cut will consist of three films. The announcement does not state if the film trilogy will add new footage. (Source: ANN)
When they were children, Shiva and Shankar went to Mumbai in search of a living. Circumstances puts them in jail, where they meet a bully named Karunan. They escape from jail. Several years later, Shankar and Shiva dream of becoming singers. Karunan is still active as a criminal. Through their hard work,the Shiva-Shankar duo become successful singers and start being called the "millennium stars".
An English language student brings a little brightness into the life of her elderly, widowed tutor.
A lounge singer sees his career skyrocket after he signs a contract for a mobster nightclub owner.
From her window, Siri Pårup can see the building opposite where the everyday heroes and heroines of this persistently intriguing film reside. The Swedish filmmaker has reconstructed some of these flats in a studio, using effects to make them blend in with the building’s real façade, in a brilliant and playful variation on everyday voyeurism.
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.