BABYMETAL's "Live at Tokyo Dome: Red Night" concert was a monumental event in the band's career, showcasing their impressive rise in the music world. Held at the iconic Tokyo Dome, this performance drew a massive audience, highlighting the group's immense popularity in Japan and internationally. The "Red Night" theme was reflected in the stage design and lighting, creating a dramatic and visually captivating setting. Su-metal, Moametal, and their backing band, the Kami Band, performed a dynamic setlist that included hits like "Karate" and "Road of Resistance," delivering a powerful blend of vocal prowess, intense metal riffs, and synchronized dance moves. This concert not only demonstrated BABYMETAL's unique genre fusion but also cemented their status as a major live act in the global music scene.

The second part, "Remnants" follows the families of many of the workers in an old state-run housing block, "Rainbow Row." In particular, Wang focuses on the teenage children who concern themselves with their own lives but must also cope with their inevitable displacement as Tie Xi's factories continue to close down. In Chinese, this section is called 艳粉街 (Yànfěn Jiē), meaning "Yanfen Street."

Trouble ensues when a gang invades a library.

Filmed across two sold-out nights at Birmingham N.E.C. Arena, UK in November 1988 during the band’s “Seventh Tour Of A Seventh Tour”.

Ernesto learns that his mother has passed and yet worse that they plan to bury her in a graveyard. Determined to fulfill his late mum's wishes, he plans to steal the coffin.

A hard-working mother hires a male nanny to take care of her son, but soon discovers that he is an antisocial psychopath bent on destroying her family.

After a young boy accidentally shoots a stranger with his fathers gun, it is left to the nonchalant townsfolk to cover it up as quickly as possible - so they can get back to whatever it was they were doing before...

A man attempts to exit an underground car park. Something doesn't want him to.

Four women weather sexual complications in this spicy comedy/drama. Talk-show host Helga grapples with her boyfriend’s mysterious celibacy; baby-craving Szilvi is a reluctant swinger; uptight Flora suspects her husband of seeing a hooker; and Vera’s mate doesn’t know about the sperm donor.

Year 2045. In an attempt to save his relationship with Eva, Dani acquires a double to cover his absence when she needs him.

A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.

The Van Loock family and the Fawzi family both live in Kassablanka, a popular multiethnic district of Antwerp. Mr. Van Loock is a rabid supporter of the extreme right-wing political party Flemish bloc. Mr. Fawzi, a Moroccan immigrant, is a conservative Muslim. In October 2000, one week prior to a hotly contested national election, 17-year-old Leilah Fawzi falls for 19-year-old Berwout Van Loock. This development sparks a sometimes hilarious and sometimes politically incorrect love story that explores the thin walls between love and hate.

A popular teen's dream to be crowned Prom Queen is threatened when she discovers she is pregnant with something even worse than her dumb jock boyfriend’s offspring.

A portrait of Alexander Calder’s work Chef d’orchestra (1966), which was made in collaboration with New York composer Earle Brown. When it was made in 1964, the work was intended to be both an instrument (“played” at intervals in an open score by four percussionists) and a conductor (after it was hit and spun in motion, the musicians returned to their percussion stands and imagined the petals of the mobile superimposed over their written score, playing only those notes.) For Shape Notes, two performances of Chef d'orchestre were staged and recorded. The audio recordings of those performances were then edited and used as a new score from which the visual rhythm of this work was composed.

The latest film from the Belgian climbing team, following Asgard Jamming and Vertical Sailing Greenland, Venezuela Jungle Jam features Sean Villanueva O'Driscoll, Nico Favresse, Stephane Hanssens and Jean-Louis Wertz as they attempt a new free climb on the overhanging 500m wall of Amuri Tepul in the Venezuelan Jungle.

A reporter from the TV station went to Zhangtou Village, a remote mountain village known for monkey opera, arranged by colleagues Fang Hong and Xiaobin on the TV station to interview. However, after entering the village, many strange things happened to them one after another. Out of the professional instinct of discovering and revealing secrets, the three reporters went deep into the mountain forest to find out, but "Xiaoguang" suddenly went crazy and even disappeared, covering the mountain village with strange things with an unknown fear.