फ़ुजीनो, चौथी कक्षा की छात्रा, स्कूल के अख़बार में चार-पैनल माँगा स्ट्रिप सीरीज़ बनाती है जिसके लिए उसे शानदार समीक्षाएँ मिलती हैं। एक दिन, उसके टीचर बताते हैं कि स्कूल न आने वाली एक छात्रा, क्योमोटो अख़बार में अपना माँगा कॉमिक प्रकाशित करना चाहती है। दोनों लड़कियों का माँगा के लिए जुनून उन्हें साथ ले आता है, पर एक दिन एक दुर्घटना से उनकी दुनिया बिखर जाती है। इन युवतियों की दर्दनाक कहानी आगे बढ़ती है।

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Dignity. Poise. Mystery. We expect nothing less from the great turn-of-the-century magician, Presto. But when Presto neglects to feed his rabbit one too many times, the magician finds he isn't the only one with a few tricks up his sleeve!

In the 18th Arrondissement of Paris, Lambert, an aloof garage manager working the night shift at a petrol station spends his time drinking on the job, content in his own company. One night, Bensoussan, a small-time drug pusher in dire straits falls in on a stolen moped pretending to need a spark plug. The two men develop an unlikely friendship.

14-year old Uwe lives in s suburban Hamburg housing estate. Besides trouble, the boy has not much to expect from his parents. To get his hands on some money, he prizes open vending machines, and to let out his frustration he beats up "wogs". Among them is Dschingis, his nemesis. But one day, the rivals make peace. They become friends because they realize that they have the same problems and are driven by the same dreams and hopes.

A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national.

Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.

Ever since the world was born, two forces have been locked in perpetual battle. Their struggle is so Manichean, so ferocious, so Herculean that it makes the clash between good and evil look like a game of checkers! This ancestral duel is so ancient and so merciless that it can only be, Oggy against the Cockroaches!

In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.

The story of a rabbi and his talking cat, a sharp-tongued feline philosopher brimming with scathing humor and a less than pure love for the rabbi's teenage daughter.

Based on a short story by Abraham B. Jehoshua, the movie follows Eli (Oded Kotler) taking care of an old girlfriend's child for three days. He wants him to get hurt, he worries about him. Will the child survive the three days? Will Eli?

In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.

A wife, overwhelmed with hatred for her husband, inflicts an unspeakable wound on their son, as the family heads towards horrific destruction.

Two pairs of assassins are sent by a holocaust survivor's son to bring the last Nazi for a show trial in Israel.

In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king's newest mistress. In Vatel, she finds someone who's authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?

Two young soldiers, Bartle and Murph, navigate the terrors of the Iraq war under the command of the older, troubled Sergeant Sterling. All the while, Bartle is tortured by a promise he made to Murph's mother before their deployment.

Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.

A documentary about the two New York rap artists I.G. Off & Hazadus and their struggle from street to studio to fame. Shot in the years 2000 and 2001