"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
The making of the film that introduced Timothy Dalton as James Bond, who gave Bond a darker edge for a new generation.
Following a fatal boating accident, in which one of his students dies, Gintaras, a champion yachtsman, swears off the sea, quits sailing and withdraws into himself.
Alphonse Gabriel Capone, the most infamous gangster of all time. He was cut across the left cheek during a fight when he was young, earning him the moniker "Scarface." He moved to Chicago in 1919 and worked with infamous gangster Johnny Torrio to help run illicit operations there. In the Roaring Twenties, Al Capone ruled an empire of crime in the Windy City: gambling, prostitution, bootlegging, bribery, narcotics trafficking, robbery, "protection" rackets, and murder. And it seemed that law enforcement couldn't touch him. That was until one fatal night in 1929.
Penny, a troubled runaway, is picked up hitchhiking by a group of friends on a camping trip. But after trekking deep into the forest, Penny soon realises this group is not seeking the ideal camping spot after all, but something much more sinister. Now it's an epic fight for survival, as Penny pulls out all punches to be the last one standing.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Het korps Mariniers is a documentary about the Royal Dutch Marine Corps, which Paul Verhoeven made while being assigned to the Marine Film Service as a documentary filmmaker.
After winning his second Olympic gold medal at the 1976 Montreal games, Cuban boxer Teófilo Stevenson was at his peak. American promoters offered him $5 million to turn pro and challenge world heavyweight champion Muhammad Ali. Stevenson refused the offer, asking "What is one million dollars compared to the love of eight million Cubans?"
Thomas, a specialist at breaking and entering, gets out of jail after nine months and finds another man in bed with his girl. In the next 24 hours, he seduces one woman, steals her bracelet, and gives it to another in exchange for felatio. Soon after, he sets eyes on Léa; at first she's just another challenge. She dismisses him, but he's persistent. Finally she decides to love him, but warns him that she's hard to get but harder to get rid of. When he does decide to leave her, she is devastated, but so, it appears, is he, and back he comes. Now all seems wonderful, but his past, in the form of the woman whose bracelet he stole, comes back to haunt him. How will Léa handle it?
Hayflower starts her summer holiday on a badminton camp which is ruined by Cynthia, a runaway chicken. Quiltshoe makes a new friend, Anita, who, to everyone's surprise, turns out to be a chicken. Under the leadership of constables Bellybutton and Goggleclock, a big chicken hunt is launched.
When dead people starts returning to the small Japanese town of Aso, government official Kawada is dispatched to uncover the “truth”.
Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.
Children are shown what it is like to live in a world without rules.
Two 16mm films simultaneously project images of Le Corbusier’s iconic white Villa Savoye outside Paris, and its doppelgänger, a black copy located in Canberra, Australia. Each film has been printed on 16mm stock as a negative image, or polarity print, thus reversing light and dark. The Antipodean black Villa Savoye is, in fact, an ethnographic institute, dedicated now to the digital duplication of its extensive collections of anthropological films, photographs, slides and sound recordings, as Siegel reveals in a high definition colour video. The work enacts the infinite loop of recorded artefacts—the urgency to document and record “vanishing” rituals and cultural practices becomes instead the contemporary archival impulse to copy vanishing media formats to digital. These concatenated elements extend the artist’s engagement with architecture as a foil, enacting and revealing across constellation-like works, layered sociological and aesthetic concerns.
A man, alone and contemplative, sits in his room until a woman enters.