In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.
Prieš dvidešimt metų pigiame Turkijos kurorte Sofi su tėčiu praleido paskutines bendras atostogas. Jaunatviškas, vos 30-ties, Kalumas (Paul Mescal) ir 11-metė Sofi atrodė lyg brolis ir sesuo. Retas, todėl itin brangus laikas kartu buvo pilnas saulėtos melancholijos, mažų nesklandumų, šilumos, smalsumo ir draugystės. Sofi ryškiai prisimena šias atostogas. Ji atkuria tėčio paveikslą, MiniDV juostelėse užfiksuotus įrašus jungdama su išgalvotais bei tikrais atsiminimais, ir bando suprasti žmogų, kurio galbūt nepažinojo.
A chemist carries out a bizarre experiment with his own head.
Julie finally gets an interview for a job where she can raise her children better only to run into a national transit strike.
Mauglis – berniukas, kurį vilkai užaugino džiunglėse. Jo draugai – laukinėje gamtoje gyvenantys paukščiai ir žvėrys. Tačiau ne visiems patinka, kad tarp jų gyvena žmonių vaikas. Todėl lydimas geriausių draugų – panteros Bagiros ir lokio Balu – mažasis drąsuolis išsiruošia į nuotykių ir pavojų kupiną kelionę, ieškoti savo tikrųjų namų.
A bureaucrat interviews five souls to decide which of them will be given a life on Earth. But he soon faces an existential challenge of his own.
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
250 metų šiame pasaulyje pragyvenęs Augusto Pinochetas, kuris yra ne miręs, o senas vampyras, nusprendžia vieną kartą ir visiems laikams mirti.
Tired of life on the run, a pro thief decides to retire — but not before one easy last job with her partner in crime and a feisty new getaway driver.
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...
Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon "Frere Jacques" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third and most elaborate sequence shows a human going through several strange gesticulations. Through multiple printing we realize that the man, as in the previous sequences, is part of a visual canon and is making the gestures to himself. As we hear variations on the canonic theme so too do we witness visual variations: a woman and cat enters the canon. To show the musical technique of inversion, the image of the man is printed upside down.
Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.
A convicted criminal dreams about his past the night before his execution.
A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead?
Profesionalus kaskadininkas Džonis Bleizas, norėdamas išsaugoti tėvo gyvybę, ryžosi parduoti savo sielą velniui. Jo gyvenimas neatpažįstamai pasikeičia, nes tenka išsiskirti su mylimąja Roksana ir pasinerti į vienatvės liūną. Tik nugalėjęs šėtono sūnų Juodaširdį jis galės susigrąžinti sielą...
Two women in long skirts, wearing hats, and carrying umbrellas, gossip beside a fence. Two men on the other side of the fence reach through from underneath and nail the women's skirts to the boards. Off the men run leaving the women to discover their fate. What will they do?