In a rendition of a father-daughter conflict based on misunderstandings, this melodrama focuses on Annette (Nurit Cohen) who has left home for the city where she is unexpectedly offered a leading role in a movie. She is excited as she returns home to tell her news to her father (Zeev Revach) -- a truly conservative shopkeeper -- but she is equally anxiety-ridden about his likely reaction.
Three friends want to become warriors. Ramli, Aziz, and Sudin seek to learn Silat from an expert, Pendekar Mustar. Mustar's daughter, Ros, the village teacher, initially thinks they are crooks but soon realizes she is wrong and even falls for Ramli. The second installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they learn self-defense. Along the way, they discover their shared attraction to their teacher's daughter and their illiteracy.
Desperate to find the man of her dreams, sweet and plain Ava tries a last ditch effort, speed dating. But the absurd cast of characters she encounters makes her wonder if being single is not so bad after all.
An immigrant drifts into drug dealing after failing at normal jobs.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
TAJOMARU is the famous 'bandit' of the forest from RASHOMON. Whoever kills Tajomaru inherits his name, status and sword. A royal brother leaves his kingdom to protect the princess he loves, only to find a series of harrowing adventures along the way which lead him back to where he came from, and then disinheriting his past to become the bandit TAJOMARU.
Three roomates, a rhinoceros, hippo and a wildebeest, must confront their crocodile roomate Gerold about his poor habits.
This film brings to life a vanished world: that of the Warsaw Ghetto, destroyed by the Nazis after the 1944 uprising. Two authentic "reconstruction" sources have been used to this end: photographic and cinematographic documents recorded at the time and discovered in Poland, East Germany, Israel and France; and the oral testimonies of 44 survivors, invited to evoke their personal tragedy in front of the images put before their eyes.
On the eve of Halloween, 1938, CBS radio reported UFO's in the skies over the United States. That same night, two notorious criminals escaped the maximum security prison at Macatawa... They were never seen again. Apple Jack is a high brow story about low brow people caught in a divine intervention
The American West suffers through one of the most intense droughts in recorded human history. As water levels plummet and life as we know it is threatened by this existential crisis, we look back in time to a story about a Hopi boy named Tiyo, and a journey he made along the Colorado River under similar circumstances.
A sad young girl recovers from a heartache.
The second of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 2: Eskimo Winter is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Pelly Bay region of the Canadian Arctic. Together, the two films provide insight and understanding of a culture now almost vanished, as they show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 2: Eskimo Winter shows how Inuit families gather in communities on the sea ice to harpoon seal as they come up through breating holes in the ice. Also seen is the mid-winter season, a time of intense socializing in the communal igloo, with games, contests and ceremonial activities.
Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.
Katy Martin paints directly on her skin, and uses her whole body to make marks with the paint. Bill Brand frames the action and its trace, in the process, linking painting and cinema. Swan's Island explores gesture in painting, and how it relates to the hand held camera. The film creates abstractions from the glistening blue paint that in turn evoke a seascape or a distant, yet intimate place. In its choreography, Swan's Island is a duet. The painted figure occupies space, and the camera describes that space. The person filming and the person filmed are moving as one, and yet they are separate, each an island. Seeing and being seen are inextricably bound with emotions of love and loss, longing and a sense of place.
This radical diptych recasts Manet's canonical painting as a scandalous psychodrama: in the first part, a prostitute (Katie Widloski) and her brother (Gabriel Abrantes) struggle with their incestuous urges; in the second, a prostitute (Abrantes) copes with her loneliness on a slow night for business.
Graziele was born on a small island located in the south of Rio de Janeiro. As her mother died when she was just one year old and her father was always an absent figure, she was raised by her older sister and her grandparents, next to an evangelical church where her grandfather has been a pastor for two decades. In that small-town, conservative environment, Graziele had to come to terms with her homosexuality, first to herself and then to others. She decided to migrate to Argentina, even though she left a love in Brazil, and started living in Buenos Aires, together with her older sister on her father's side, and her brother-in-law Diego, who will be the narrator of her new life with his camera.