Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.
A modern day take on silent films blended with horror.
When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.
A couple gets a robot for psychological support after losing their only child.
An animated short about the daily life of people living in a windy area who seem helplessly exposed to the weather. However, the inhabitants have learned to deal with their difficult living conditions. The wind creates a natural system for living.
A man with a grudge against the late Little Joe seeks revenge on the Cartwrights and attempts to take over the Ponderosa.
For Kevin, a shy teenager, being bullied is part of everyday life. But one day an older guy, Benny, comes to his aid. Impressed by Benny's self-as-sured appearance, Kevin seeks his company from then on, and increasingly idolizes him. But Benny's intention is not to protect the younger boy, quite the contrary.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
After a young woman is accidentally killed in a robbery gone wrong, her best friend travels back in time to try to save her using an old pocket watch.
Explorer Sir Clive bets that he can spend the night alone in Madame Tussauds Chamber of Horrors. Meanwhile, crooks hope to exploit his ward, Carol, for her fortune.
Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.
The story of an abandoned Hindu child who is found and raised by a Muslim man.
Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.
This film is a limited portrait of Stan Brakhage. The subject attempts to describe the experience that he is involved in by means of immediately responding to the aural and visual stimuli which surround and affect him. Brakhage involves the viewer in the subjective experience of the space in which he is seated, the camera, lights and technicians which created the experiential process. He further extends the parameters of the film's scope through the interjection of real or possibly apparent silence. -S.G., from The Film-makers' Coop
고향을 떠나 뉴욕에 살던 티베트 출신의 젊은 여인 카르마(텐진 초키 갸초)가 티베트 망명 정부가 있는 인도의 다람살라로 찾아온다. 더불어 그는 티베트를 탈출해 다람살라로 망명한 정치적 수감자들을 인터뷰해 다큐멘터리를 만드는 작업을 한다. 그것은 그의 뿌리를 찾는 작업이기도 하다. 나이트클럽에 가고 서구 문명에 익숙하며 머리도 노랗게 염색을 한 그는 그렇게 다람살라에서 지내며 뉴욕에서 있었던 개인적인 기억들로부터도 빠져나오려 한다. 뉴욕은 오직 인터넷 카페에서 온라인으로 접하는 것 외에는 이제 아무런 의미도 아니게 됐다. 티베트에서 자유를 꿈꾸는 사람들의 마지막 희망은 돈을 받고 그들을 네팔로 탈출시켜주는 안내원에게 그들의 운명을 맡기는 것뿐이었다. 그들은 네팔로 탈출하여 그들의 정신적 지도자 달라이 라마가 망명생활을 하고 있는 인도의 다람살라로 가서 안전하게 살 수 있을 것으로 생각했던 것이다. 인터뷰어들 중 하나인 돈덥(잠파 칼싱)과 함께 인도 델리 등 여러 곳을 여행하면서 승려뿐만 아니라 상인, 음악인, 과거의 게릴라 등을 만난다. 그렇게 다양한 사람들을 접하면서 두 사람은 서구에 집착해 있던 현대 티베트인들의 모습, 중국에 의해 말살돼 간 티베트의 슬픈 현대사와 마주하게 된다. 여행이 계속되는 가운데 그들은 달라이 라마의 석방을 기원하며 단식을 하는 사람들을 만나 눈물을 흘리고, 점차 서로에게 끌리고 있는 자신을 발견하게 된다.
A group of people watches a guignol (the French version of a Punch and Judy show). Outtake from a longer, now lost, film.