David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Since 9/11, the US has used torture in the war on terror. But the true story started in the 50's with CIA-financed research programs on "enhanced interrogation techniques" at America's finest universities and spans to the current day on American soil. Over 70 years, the US has transformed the use of torture into state culture.

Feature-length documentary following award-winning wildlife cameraman Vianet Djenguet as he documents a gruelling but vital mission to ‘habituate’ a notoriously protective 450lb silverback, in a last-ditch effort to save the critically endangered eastern lowland gorillas from extinction.

Based on the book "Spend, Spend, Spend" by Vivian Nicholson and Stephen Smith. Story of pools winner, Vivian Nicholson.

Amitz Dolniker, an Israeli politician who speaks way to much has a heart attack in the middle of his speech. In the ambulance on the way to the hospital the doctor orders him to "go someplace quite, rest, and don't make speeches". His young assistant immediately suggest they go to Switzerland, however Dolniker had taken a vow not to leave Israel unnecessarily, so he comes up with a different idea - going to a remote village where they have never heard of him, so he would not be asked to make any speeches. As they arrive, it turns out that not only the villagers have never heard of Dolniker, but they have also never heard of running water, electricity, phones, and most importantly: TV, Radio, and newspapers... so its only a matter of time before Dolniker or the villagers go bananas...

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.

Late 17th century. With no access to the sea, Russia suffers great losses in foreign trade. Peter tries to capture the Turkish fortress of Azov, but with no success: he can win only if he has a fleet. Peter’s ukases provoke the Boyars’ indignation. Europe looks in amazement: the Russian tsar begins to work at a Dutch shipyard learning the subtleties of shipbuilding?! But his training is cut short. Peter has to return to Russia in order to brutally suppress the Streltsy rebellion organized by his sister Sophia.

A former intellectual senator and his beautiful young wife have an obsessive relationship.

Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.

A BSF jawan is held captive in an illegal camp run by Pakistani soldiers. Will he be able to rescue his girlfriend and return to his homeland?

The story involves a rather odd flashback by Dale who is visiting El Dorado, home of her grandmother. She dreams about her grandmother's adventures including a romance with a cowboy who looks very much like Roy. Roy, of course, also exists in the present for Dale.

Picture Abhi Baki Hai is the journey of Amar Joshi (Sunil Shetty) who runs a video library in banaras and aspires to be a film maker. Despite facing objection from his father Amar Joshi decides to sell his video library and joins a film Institute in London. After completing his course he lands in the city of dreams "Mumbai" to make his film. Suraj (Rajpal Yadav) is a struggling actor doing bit roles in T.V. serials, who Is Amar's only connection in Bollywood. Amar Joshi starts his struggle to make his film by meeting different type of producers who have their own take on Amar's story. After many failed attempts He finally bumps into Monty Chadda (Rakesh Bedi) a P.R. Publicity man who sees good potential in Amar and decides to produce his film. Amar & Monty take help of star secretary Guptaji (Akhil Mishra) to convince Mohini (Udita Goswami) & her starry mother Mummyji (Neena Gupta) who agrees to do the film.

In this mockumentary, former child star, Azlynn, decides to return to the world of cinema with the help of her reluctant friend Jamie, her unique boyfriend Matthew and her mysterious talent agent, Evan.