Made out of Found Footage 16 mm Material “Broken time” follows the tradition of Hand Made Film and layering of Film and Material. It is a cinematic process of a Collage, a layering of Picture elements to generate a cinematic complex.
Flying through a tunnel made of kaleidoscopic photographs.
The union of the Indestructible Objet (1923-1959) by Man Ray and L'Infiltration homogenee for grand piano by Joseph Beuys (1966). Here the intersection of two temporalities is at stake: one punctuated by the pulsations of the metronome, the other marked by the continuous silence of Beuys’ piano.
Every beginning becomes an end of yours, and mine, and us and this world. Because every ending has something to do with beginnings. Today, everyone and everything is more cruel, more hungry and more violent. We're becoming more foreign to each other. Becoming more distant to each other and running away at full speed. And you, what about you? Are you going to keep drifting away in your gray and helpless life? Or are you going to remember who you are and start listening to your own feelings and mind?
Any body or object that projects forward.
Of chaos and change and adaptation and resurrection.
The light and water of wintertime, viewed at 35,000 feet, over the U.S., somewhere between the East and West coasts.
A quiet mediation on the sea (and what might lie beneath the surface?) from the late 70s.
A video consisting of 82 pieces of found footage, individually titled and accompanied by a set of notes played on piano. Together, these 82 segments, combining image, text and sound, make up a statement that is neither large nor small.
China’s irresistible process of growth and its precariousness.
An urban essay film searching for meaning and philosophy: "When you enter an existential crisis, all filters fall. Reality is shaded in low contrast, low key, foggy. Every outside signal grinds down mind and teeth and gets caught in a feedback loop. Every thought is a downward spiral."
"I throw water in space with a bucket. A video camera pictures this. Another camera pictures this event from the TV screen. 3 modalities of reality: 3 levels of interpretation. Reality: filmed reality: filmed film." - Peter Weibel.
Inhabited by multiple bereavements due to a long journey with HIV/AIDS, characters parade in a perpetual winter. Different moving tableaux evoke possible deliverances.
The work draws an abstract image of a human that has internalized the images and stories of the world of advertising. A woman is sitting in front of a camera telling a story about an experience she had. Even though she is able to describe the events in great detail, the story also seems to be unlikely or implausible.
A warm and bright place hiding uncleanliness and fear. The slightest disorder of daily life brings the room down into deep darkness. Shot on 8mm film.