Ragnar works in an office. He turns 33 in May, and he has 45 in shoes. Ragnar has a vivid imagination. The more he thinks, the younger he wants to be. He thinks it would be good if he were ten years or maybe only seven. Then he would be out playing now. Usually Ragnar think when he sits in his office. He is actually the man who does not want to grow up, or become a grown-up.

Don Reynaldo is a renowned hunter in decline. When the threat of losing his heritage and his father's legacy appears, the dynamics with his family, his workers and the land will be dangerously disrupted.

A group of eighty American workers are locked in their office and ordered by an unknown voice to participate in a twisted game.

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.

A job interview turns sinister when misogyny and malice constrict around Renée Hart. Is it a career opening, or the venomous jaws of a trap?

A woman must find paperclips for a report to be presented in the morning.

Based on and built around the west coast radio program, "The Hollywood Barn Dance", although no members of the 1947 cast of the program are in the film, but the better-known (on a national scale) Ernest Tubb and His Texas Troubadors, Jack Guthrie and Jimmy and Leon Short more than make up for that. The slight plot, around 18 songs, begins with Tubb and his band searching for $2000 needed to rebuild their town chuch after it burned down while they were rehearsing in it. Hollywood, here they come!

In the midst of the Great Depression, a Mother and Father fear over what could happen next after the Banking Crisis of 1933.

An office worker with an infinite amount of work and a limited amount of time.

Susanne is called to her boss's office. There she drinks from a cup containing a paralyzing liquid. When Susanne regains consciousness, she has already become a will-less, controllable puppet of the system.

Office workplace hazards turn into an athletic competition.

Set in the 1920s, Nice Work If You Can Get It is the story of charming and wealthy playboy Jimmy Winter, who meets rough female bootlegger Billie Bendix the weekend of his wedding. Jimmy, who has been married three (or is it four?) times before, is preparing to marry Eileen Evergreen, a self-obsessed modern dancer. Thinking Jimmy and Eileen will be out of town, Billie and her gang hide cases of alcohol the basement of Jimmy’s Long Island mansion. But when Jimmy, his wife-to-be and her prohibitionist family show up at the mansion for the wedding, Billie and her cohorts pose as servants, causing hijinks galore.

Martha Baxter, accomplished publisher and full time mom at the same time, tries to get her family to make it through a portrait appointment while negotiating her marriage.

The Fukushima family is driven to collapse after the eldest, who has dementia arrives home with the corpse of a child.

When chorus girl Nell Gordon (Madlaine Traverse) is betrayed by a married man, she becomes hard and bitter. Eventually, she drifts from New York to the decadent Western town of Gehenna where she's the star of the cabaret.

A Filipina-Canadian girl defies her mother's warning that if she plays sports, she will turn into a boy.

Liz is moving out of her ex-boyfriend's apartment, and she's taking the dog with her.

Walking through a forest to a river, a young boy is emotionally struck by a precious time he once shared.