Willy, the son of baron Van Hergershuizen, finds himself disinherited after he marries an untitled girl. His wife decides to take action and applies for the job of the baron's housekeeper.

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?

A janitor in a large bank is accused of pulling of a major heist. He is forced to become a fugitive while hunting for the real culprits.

The parents are at their wits’ end, so a temporary supervision order is the last hope for a group of teenagers in Punks. Now, on a remote farm in France, they’re going to have to get their lives back on track, with the help of a counselor. If they want any chance of a happy life, they need to engage in some frank and painful conversations. Mitchel has to find a way to get along with his father, but maybe too much has already happened since his mother died. Jahlano is already at the next stage: he’s no longer allowed to live with his mother, and needs to get over the disappointment. Mike, meanwhile, is struggling with his image as a boy who’s “got a screw loose.” Filmed in constant close-up by director Maasja Ooms, the teenagers try to tame their demons with music and therapy, but problems from the past keep resurfacing. In this intimate and sincere portrait, these troubled kids show us their most vulnerable sides.

The documentary that answers the question: is having month-long double paid vacations, no fear of homelessness, and universal health care the nightmare we've been warned about? The answer may surprise you.

From schools and offices to hospitals and streets, cleaners are working everywhere, tirelessly and modestly. They work hard and keep society running. Invisible confronts viewers with their own involvement and reveals the price paid for the appearances we cherish.

In Holland, Pluto acts as a milkman (dog?) leaving canisters of milk on the town's doorsteps. While going about his job, he falls head over heels in love with Dinah the dachshund. In his enthusiasm, he accidentally rings the dike bell causing the town to think the dike is leaking. When the fraud is exposed, Pluto and Dinah are kicked out of the town. Upon leaving, they both notice the dike actually has sprung a leak. While Dinah plugs the leak, Pluto must return to the town and find a way to get the residents to follow him to the dike leak.

A documentary focused on right wing populist Geert Wilders, called The Dutch Donald Trump, as he runs for Prime Minister of the Netherlands.

Documentary about the Wadden Sea in which Van der Keuken looks at this ribbon in the landscape through the eyes of a city-dweller. A film about the relationship between the minuscule and the overwhelming in this flat jungle.

In recent years, the Netherlands and Belgium have become major drug trafficking hubs in Europe, with almost 80% of the continent's cocaine passing through Rotterdam or Antwerp. This has led to the rise of the “Mocro Mafia,” criminal networks of Dutch people of Moroccan origin. These gangs began by trafficking hashish from Morocco but now use the same routes for the more profitable cocaine trade, sourced from Latin American cartels. Consequently, the “Mocro Mafia” has become one of the world’s richest criminal organizations, generating an estimated fifty billion euros annually in Antwerp alone—10% of Belgium’s budget.

'Gideon: Searching for the truth' takes the viewer with Van Meijeren on his quest for answers to questions about the current global health crisis. Questions that are common among the population, but to which he, and therefore the people in the country, do not get an answer in the Dutch House of Representatives. A place where Van Meijeren says he often feels like 'crying in the desert'. Where he gets no answers to his 'justifiably pressing' questions. Where instead he is invariably framed and judged by form, which makes any form of democratic debate impossible in advance.

“Job is 2 meters tall and has been my baby for 58 years. I will continue to care for him as long as I can,” says 91-year-old Tineke about her severely disabled adult son. But how long can she keep that up and who needs who: Job Tineke or Tineke Job? A documentary about the limits of motherhood.

The film Together we cycle investigates the critical events that has led to the revival of the Dutch cycling culture. For most people, cycling in the Netherlands, seems a natural phenomenon. However, until the 1970s the development of mobility in the Netherlands followed trents across the globe. The bicycle had had its day, and the future belonged to the car. The only thing that had to be done was to adapt cities to the influx of cars. Then Dutch society took a different turn. Against all odds people kept on cycling. The question why this happened in the Netherlands, has not an easy answer. There are many factors, events and circumstances that worked together, both socially and policy-wise. In Together we cycle, key players tell the story of the bumpy road which led to the current state. Where cycling is an obvious choice for most citizens.

Artist Bart Eysink Smeets is ready to confront our obsession with being unique. To rid the world of this, he will prove that he is not unique. He goes looking for his doppelgänger.

In 2022, 92% of those affected encountered aggression or violence. Frans Bromet portrays six influences who encounter violence while carrying out their work. The violence with which the actual consequences are, leaves personal physical, especially mental, traces.

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

This moving documentary tells the story of Daan, a cheerful and talented boy who left life at the age of sixteen after a school career in which he was systematically excluded. Former classmates organize a reunion to investigate how things got to this point. They discover that many other students also felt unsafe in the classroom. Meanwhile, Daan's sister Julia, who, like Daan, loves theater, is working on her self-confidence. And Daan's group of friends, where he could finally be himself, looks back on the time they spent with him.

In Footsteps, Fiona Tan creates connections between personal stories and the world around us. The footage shows children at play and Dutch windmills, but above all people engaged in heavy physical labour in the countryside and in factories. In a fascinating juxtaposition, she combines these images with excerpts from letters she received from her father just after she moved to the Netherlands in the late 1980s. Through his education in Indonesia, Tan’s father knew a lot about the Netherlands without ever having visited the country. In the letters, he meanders seamlessly between personal news and world events, such as the fall of the Berlin Wall and the Tiananmen Square protests in Beijing.

Despite the warm images in the family archive, photographer and filmmaker Jonnah misses an intimate bond with her (adoptive) parents. Over the years, a wall has been built between them that Jonnah is now trying to break down with her parents.

Before the eyes of the Sudanese Ahmed (25), the war broke out in full force. He decides to flee on foot to the Netherlands alone, to be able to live there in freedom. This documentary shows part of his arduous journey: from the Italian Alps to Ter Apel.