After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.
Gajirou Honda is a self-centered man who only cares about money and women. When he’s involved in a car accident, he encounters the ghosts of the deceased occupants of the other car, including the driver and three pole dancers. The four ghosts promise him a large sum of money in exchange for his help fulfilling their last wishes, thus allowing their spirits to pass over to the afterlife.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.
Thymian Henning, an innocent young girl, is raped by the clerk of her father's pharmacy. She becomes pregnant, is rejected by her family, and must fend for herself in a harsh, cruel world.
Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.
Don Diego Vega pretends to be an indolent fop as a cover for his true identity, the masked avenger Zorro. Preserved by the Academy Film Archive in 2012.
A fisherman with money problems hires out his boat to transport criminals.
Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic disrepair and obscurity in a small southern Mexican town in 1939. The consul's self-destructive behaviour, perhaps a metaphor for a menaced civilization, is a source of perplexity and sadness to his nomadic, idealistic half-brother, Hugh, and his ex-wife, Yvonne, who has returned with hopes of healing Geoffrey and their broken marriage.
After a childhood of abuse by his evangelistic father, misfit Oscar Hopkins becomes an Anglican minister and develops a divine obsession with gambling. Lucinda Leplastrier is a rich Australian heiress shopping in London for materials for her newly acquired glass factory back home. Deciding to travel to Australia as a missionary, Oscar meets Lucinda aboard ship, and a mutual obsession blossoms. They make a wager that will alter each of their destinies.
Tobacco heiress Doris Duke develops an unlikely friendship with her butler, Bernard Lafferty.
A secret agent investigates the death of the scientist who created a deadly ray only to find out his own wife is involved.
In a small village in Västergötland, everything is turned upside-down when the local loner dies and his cottage is inherited by his unknown relative Fanny. She rides into town on a big black motorcycle with her androgynous boyfriend Zack, wearing black leather and spikes. When they decide to stay, Flogfält's plans to buy the cottage are upset.
Hall Bartlett directs the rural drama The Children of Sanchez, based on the tome The Children of Sanchez: Autobiography of a Mexican Family written by Oscar Lewis in the '60s. Anthony Quinn stars as the widowed Jesus Sanchez, a poor farmer struggling to provide for his family in Mexico City. Also starring Lupita Ferrer as Consuelo and Stathis Giallelis as Roberto. This is the last film in the 50-year career of international star Dolores del Rio, who plays the Grandma. Jazz-pop performer Chuck Mangione was nominated for a Golden Globe and won a Grammy award for his original musical score.
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.
A socially inept man's amateur porn film wins him a contract with a small-time pornography distribution company, where he faces a series of moral crises and is forced to face his own porn addiction.
1903, before the Revolution The Citrillos Turns is a pulque bar in Mexico City, in which beings with no present or future gather to drink their lives away and tell stories of the dead and apparitions. Thus is woven a story of real passions love, betrayal, jealousy, pillage- in an atmosphere of drunkenness and hallucination.
Nacho (Ismael Osorio) and Julio (Emir Martinez) ignore their feelings towards Marcela in order to unleash their most prosaic desires. The deeds of these two friends will have someone face desolation. But who?
Under the dawn of the agave fields of Jalisco, Alejandro and Miguel, two friends with a special bond, confront an inevitable farewell. Amidst memories, their emotions intensify, challenging the boundaries of their friendship.
In his will, Mr. Baird leaves his son Arnold just one seven-passenger auto and a hundred dollars to keep it filled up and in good repair. When James Bennett hears of this, he insists that Baird do something to make his fortune before he can marry his daughter Ruth. Bennett begins by using the car to start a jitney-bus line. This is not terribly impressive to Bennett -- who owns a trolley company -- and he decides he would rather see Ruth married to his controller, William Mott-Smith.
Set on background of personal ceremonies and tradition, this is the story of a twelve year old boy. To him, the passing from one year to another coincides with his passing from childhood into adolescence.