Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.

Native Mexican people grouped in front of the camera.

An anthropological documentary that gives voice to the Orokavia women in Papua New Guinea and shows their daily lives.

A short film on Gnawa trance shot in south Morocco.

A dark and magical visit to the fabled Parisian address Rue Fontaine 42. This was the residence of André Breton, the mastermind of surrealism, who surrounded himself with an impressive collection of modern, Western art and ethnographic objects from Oceania and North America. The collection was sold and divided up in 2003 at a controversial auction. 'The Trick Brain' is a delirious montage and a trip back in time to Breton's private art collection, where Atkins has been scouring the archives and come up with a possessing interior film of the place that once was, complete with surrealistic paintings, scores of Indian figures and hundreds of other displayed rarities. The film's soundtrack is provided by an observant narrator, who reveals to us that the objects shown are not necessarily what they claim to be - but instead are catalysts for some kind of wonderful linguistic virus which reveals the real identity of things.

The history of Amos, a town in Abitibi-Témiscamingue (Quebec).

Raised in one of the most violent outskirts of Fortaleza, the Cruz brothers had their lives shaped by music to the point that their parents turned the house where they live into a school.

"Louceiras" portraits the daily life of the last ceramists of the Brazilian indigenous ethnic group Kariri-Xocó, who earn a living from clay. They inherit a tradition passed from mother to daughter concerning the art of choosing, manufacturing and cooking clay pots and pans. Living in a village by the São Francisco river in the city of Porto Real do Colégio(AL), they share with their people the secret of medicinal herbs, the Toré dance, the labour songs (rojão) and the secret of Ouricuri.

"Heart of the Country" is the story of Shinichi Yasutomo, the extraordinary principal of a rural elementary school in Kanayama, central Hokkaido, Northern Japan. Yasutomo is a man driven by his vision for learning and his passion for educating the heart as well as the mind. The film follows Yasutomo, his teachers and staff, students and their families over the course of one entire school year. The film is also the story of the families of Kanayama. Parents and elders of this once impoverished town embrace Yasutomo's vision, but not without wary glances back to the past. This small community, bound together by love for its children, is also defined by its journey through the cultural upheavals of postwar Japan.

Several filmmakers discuss the introduction of Western modes of communication, especially film, to native cultures. While these tools can help a native people to document their own culture, it can also "swallow" their culture, encroaching upon and irreversibly altering it. The film takes its title from a book written by filmmaker Edmund Carpenter in 1972 about his engagement with media in Papua New Guinea.

Ano Ravenia, a mountain village in Greece, young men leave to find work, learn a trade or serve in the Army while a young woman may leave her father's house only to enter that of her husband. The unmarried girls remain in the village amoung the elderly folk, meeting together to embroider their trousseaus and chat. In a rural Greek community, it is not the role of women to express their point of view in public. The film allows the spectator to sit in one of these casual sewing sessions where the girls talk about their wishes and problems, most of which revolve around marriages that will change their lives.

Thanassakis, a 13-year-old boy, is staying with his grandparents in the Greek village of Ano Ravenia, while his parents stay with his younger brother in Zurich, Switzerland. It was filmed during three periods: winter in the village, summer in the village (while his parents, as most migrants, come back for the holidays), and Christmas in Zurich when the grandfather and the young boy visit their family. Who is most important to the young boy - his father or grandfather?

Short documentary about the traditions, lives and culture of the Qadiri tariqa of Iran's Kurdistan