Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

Through six vignettes, a broken family confronts their dark past one year after their daughter’s brutal murder was captured on camera in one long take.

While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.

September Tapes is best described as Blair Witch in Afghanistan. Instead of hunting a witch in the woods, a small documentary film crew brave the dangers of Afghanistan in search of Osama Bin Laden. Much like The Blair Witch Project, the idea behind this film is that eight tapes were found in a cavern in the Afghanistan mountains and they were put together to create this fictional documentary

Clara and Mika, a young couple, leave for their very first romantic week-end. An unusual country lodge awaits them for a two-day period of rest and recuperation. The appearance of a curious and disturbing character will interfere with their stay at the lodge. Strange phenomena occur that are going to interfere with the couple's perception of reality as well as their destiny.

A dramatization of the horrific and notorious Manson Family Murders, in the form of super 8 home movies.

Based on the novel "Šta bi učinio Zobec?" (What Would Zobec Do?) by Svetozar Vlajković. It's a short movie about a young man who is afraid of being turned down by a girl.

Beckoning the Butcher explores the night Chris Shaw and his four friends summoned a spirit into their holiday house - then disappeared forever.

In the summer of 2012, footage was captured by three travelers on a road trip, who unwittingly find themselves in the middle of a massive global conspiracy.

A serial killer begins the process of grooming a protégé, until outside influences threaten to destroy their sadistic relationship.

The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.

A love story for the 90s: Valery falls in love with an identical twin, a virtual reality scientist, and finds she can have a more intimate relationship with him through the computer screen than in person. Or is it really him?

A triple exposure on EXR 50D 16mm film: two layers shot in summer, and the third captured on the cusp of winter. A collection of statues fading in and out of consciousness, around the Weissensee lake in northeast Berlin, where the filmmaker lives.

The seamy side of Los Angeles is revealed through the lens of a stolen video camera as it passes through a succession of owners.

A brave man opens up to a film crew about his biggest fear, milk.

Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern

Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.

A young man searches for the body of his sister years after her tragic disappearance.

Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.