Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.
An immersive look at the eventful life and brilliant artistic career of visionary American jazz trumpeter Miles Davis (1926-1991).
Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religion, racism, segregation and appropriation: Gagneux makes music against taboos. But being a leader against his will scares the introverted artist. Can he remix the game?
The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.
The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
A City Decides chronicles the events that led to the integration of the St. Louis public schools in 1954. An Oscar-nominated short documentary from 1956.
Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.
In the decades after Bacon's Rebellion, an African man and an English woman - husband and wife - sing of their fate, their future as law by law, edict by edict, their family, their marriage, their love made illegal.
As a small liberal arts college on the North Shore, Gordon College has not been without its issues. Budget cuts in 2019 resulted in the downsizing of several departments which impacted students' college career. In 2020 during the heat of the pandemic, racial tensions rise after hate crimes are committed on campus. This is the story of the class of 2022.
Narrated by Robert Culp, this special examines racism in the sixties
When a state phantomizes a population, another reality. When history distorts the truth. When my (her)story meets another (her)story. When women disappear without a trace. When, white and privileged, I attend a rehearsal of stories. When violence done to women’s bodies equals the violence done by words. The bodies of those we don’t want to see or hear. From my studio window, I look out and my life intersects with theirs. In Winnipeg there are those who Win, generally the whites. There are the nips, the name given to Asian immigrants (the Latinos included in the insult) And everyone walks on EGG shells.
Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.
Earl Kenneth Kaufmann is the Scary Guy. Banned and kicked out here and there. Because of his looks. A motivation trainer and speaker who campaigns worldwide to eliminate hate, violence, prejudice, and bullying in schools and corporations. In addition to being a tattoo shop owner, comic, entertainer, inspirational speaker, and performance artist.
In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in his car in Brooklyn for more than a year, while also holding a day job. Petschnig started to record his life and struggle, his thoughts, routines, etc. over the course of two years.
Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
For much of the 20th century, successive Australian governments pursued a policy of deporting and barring entry to any race of people they considered undesirable. This was known as the White Australia policy. Admission Impossible is the true story of the behind-the-scenes political forces and the propaganda campaigns that attempted to populate Australia with “pure white” migrants.