Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.

Drawing surprising connections between market methods and CIA torture techniques developed in the 1950s, the film explores how well-known events of the recent past have been theaters for the shock doctrine, from Pinochet's coup in Chile, to the Tiananmen Square Massacre, to the war in Iraq today.

From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.

A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.

He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.

The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.

On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.

From the makers of Console Wars comes the origin story of the GameStop stock market phenomenon, featuring exclusive access to the original players who lit the fuse on a historic amateur investor uprising. Spotlighting the human side of a sensational business drama, this documentary is a David vs Goliath tale about ordinary people waking up to the power they have in numbers.

An environmental account of Henry Ford’s Amazon experience decades after its failure. The story addressed by the film begins in 1927, when the Ford Motor Company attempted to establish rubber plantations on the Tapajós River, a primary tributary of the Amazon. This film addresses the recent transition from failed rubber to successful soybean cultivation for export, and its implication for land usage.

Ice has always moved. When glaciation took hold some 34 million years ago, interconnected rivers of ice combined to produce the Earth's vast ice sheets. As temperatures slowly warmed glaciers developed a unique balancing act; advancing and retreating to calibrate their annual winter accumulation against summer melt. Sometimes calving colossal icebergs into the sea. A positive feedback loop that has regulated the movement of ice for millions of years.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

This documentary from 1987 looks at the serious malaise that plagued the US manufacturing sector at the time. No longer competitive in the world market, and forced to buy more than it could sell, the US nevertheless continued to bask in the glow of past glory rather than face its immediate predicament. Meanwhile, Japan and other Pacific Rim countries were gaining economic ground, perhaps permanently. This film was part one of the series, Reckoning: The Political Economy of Canada.

This feature documentary is an inquiry into Canada's economic troubles of the 1970 and '80s. The film summarizes the facts at hand, including some pre-NAFTA speculation about economic dependency on the United States. At roughly thirty percent, the Canada of a few decades ago was more foreign-owned than any other country in the world. Still, however, a great and stubborn national pride in our cultural and social idiosyncrasies persists, resulting in the confidence to look elsewhere besides the United States for economic alliances and models. This episode is the fifth and last part of the series Reckoning: The Political Economy of Canada.

This documentary focuses on boom-and-bust economic cycles, most notably that of Alberta oil during the '70s and early '80s. When the bust hit after a drop in world oil prices, those business people who knew how to "ride a tornado" cut their losses and moved on, while others were left devastated. When Newfoundland was faced with a possible oil boom of its own in the mid-'80s, it took the lessons of Alberta to heart. Part 3 of the series, Reckoning: The Political Economy of Canada.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.