1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
A doctor from Rio de Janeiro travels to spend his vacation in a small town in the South of Brazil, surrounded by legends about the disappearance of tourists. He stays in the house of a local family (father, son and grandmother), and, during lunch, the boy attempts to alert the doctor about a terrible secret.
That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.
An exorcism goes terribly wrong as the entity searches for a stronger host.
A student videoperformance about a group of emotions of a girl in a ritual of tiredness and it’s obsolescence.
An eight years old girl writes, on a little pink notebook, her sexual experiences with several men – presented to her by her mother.
A young man interviews former child-actor Rodrigo Escher, only to be drawn into his idol's nightmarish web of diabolical secrets and sexual perversions.
Through cinema, it is possible to recognize situations and think about them theoretically from other perspectives. Inspired by the discussion of the classic text by Mariza Peirano. The film uses excerpts from Brazilian filmography to reflect anthropological concepts such as culture, politics, ethnographic field and identity.
In honor of the 45th anniversary of the film A dama do lotação (1978) directed by Neville D'Almeida, based on the work of Nelson Rodrigues and starring Sonia Braga and a great cast. A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.
A man who can't stand living surrounded by aesthetics anymore receives a package at his door with lip gloss and a ticket to the Almodóvar film: "Strange Way of Living". Then, he goes crazy and rips off his skin in order to finally have the perfect body.