Three years since Korean society was first rocked by the MeToo movement, how much has changed? As the title suggests, #AfterMeToo tackles the activism and resistance that remained after the initial Me Too fever cooled. This anthology documentary ties together four shorts, dealing with the ‘School Me Too’ movement amongst teenagers, the fallout of the Me Too movement in the art world, confessions surrounding sexual trauma from long ago and its respective healing process, and the sexual self-determination of women.
A chronicle about the everyday life of an Emmaüs community. Most of its people are migrants, mostly with children. They come from Albania, Chechnya, Morocco, Georgia, Mongolia, Afghanistan... Time flies between their work, homesickness, and nostalgia of the loved ones they will never see again.
A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.
In Britanny, four young female farmers has created their own little business. They promote a thriftier, self-sufficient and fairer agriculture.
Félix Mayol was a very famous singer, one of the biggest stars of the early 20th century. Nowadays, his name sink into oblivion. In Toulon, a stadium and a mall are named after him, but nobody knows how much this city owes to this man.
Telugu Film Director Vamsy Expresse his Train Journey with Music Direcor Ilayaraja.
In 1972, the American film director Howard Hawks travelled to San Sebastian to preside over the jury of the Film Festival. Two young film buffs, Jesús Martínez León and José Luis Cuerda, came from Madrid in the hope of interviewing him. After thirty years of life and films we recover that unpublished interview.
In this wide-screen travelogue the viewer shares in the excitement of a Texas film festival, the cuisine of the not so rich and famous, and the thrill of attending exclusive enclaves of energized art. The natural world is glimpsed here and there behind an urban tapestry of towering titillations and seductive visualizations. Sit back, relax, and witness a nation in the throes of frenzied festivities to the goods of creation.
The village teacher Pan Trzhiska found the diary of his grandfather, who almost a hundred years ago was taken prisoner in Russia and later fought there as part of the Czechoslovak Corps. Pan Trzhiska, a film enthusiast and musician, decided to go to his grandfather's "places of military glory" on the Trans-Siberian Express. His journey, his encounters with Russians, his reflections on democracy, the KGB, freedom and philosophy form the basis of this documentary comedy road movie.
In 2013, it has been 50 years since the world's greatest pop band of all time, The Beatles, made their first international tour to Sweden. Rolf Hammarlund has followed the band's journey to various cities in Sweden and has met fans, journalists and others who were at the concerts in October 1963.
Three women, unrelated to each other, live their usual day. Anya is getting ready for her prom. Lena spends her day at work managing plumbers and janitors. Pensioner Lyudmila preaches the Word of God. Only subtle visual parallels connect the heroines of the film. They are somewhat similar to each other. An action begun by one seems to be completed by another. Step by step, from dawn to dusk, from youth to old age. And a lived day turns into a lived life.
“I have been working hard this summer. Begged for alms, collected metal, stole. I don't have a father. The mother was asleep. I left home and started living on the street. In the basement. I have friends. We live together, steal, sniff glue, drink vodka. Then they got hooked on the needle. Now we all walk badly and hardly talk. We are sick bitch people. And you?" Film-immersion. For several months, the filmmakers lived with a pack of homeless human children and observed different aspects of their lives.
Documentary on Pablo Casals first visit to Puerto Rico.
A self-portrait of Baktash Abtin during the Covid Pandemy.