The sleepy, religious and passionless town of Kampong Bras Basah has suddenly been awoken with the arrival of a lingerie shop called La Luna! But while the villagers slowly begin to welcome the shop owner with open arms, the iron-fisted religious leader of the kampung is hell-bent on driving the shop out of town at all costs!

Two college boys were so closed to each other that they had to escaped from their relation after graduating from college. They met again in a wedding banquette ten years after that, sitting next to each other again, as in the past. Jae drove drunken Him to Him's far away home. The trip was long enough for them to review their relationship, but not good enough to repair it? Maybe the best distance for them to love each other is from wedding banquette to home.

Young songstress, Jordan, yearns for love, music, and money in her life. Does she gain it all, and lose herself, or lose it all to save herself?

Socially awkward 40-year-old Johannes tries to reach his dying father before it's too late. The journey from the city of Tampere to Kajaani can be surprisingly long if you don't go via Jämsä.

A man is thrown into fatherhood unexpectedly when his daughter is suddenly dropped off at his New England apple farm. He was never told he had a daughter until her mother's death. After 16 years, the girl and her father will try to build a relationship. The girl will need her father's love, and her broken heart will need a horse.

A man disguises as a servant to stay close to a woman he loves. Directors: Shiboprosad Mukherjee, Nandita Roy Writers: Shiboprosad Mukherjee, Nandita Roy Stars: Jeet, Priyanka Upendra, Koneenica Banerjee | See full cast & crew »

Only in dreams, the love can work for us.

The story of the reliability of the Malaysian Women's Basketball team which has collected 13 gold medals from 20 SEA Games tournaments since 1977.

Emory, a disparaged youth plots revenge upon his abusive father and finds himself transforming into the Tarob, a greedy monster of Borneo lore that swallows the sun.

After a "diplomatic mission" into a neighboring town Kell returns to his town to see that his not so bright team of idiots have screwed up everything.

An estranged father and son spend the day ambling around a cemetery, wandering the wilderness, searching for family, and stumbling through disharmony and heartache.

The opera begins at the end. The woman has just experienced a terrible accident, a crash of both the computer and her brain to which the computer is connected. The first two parts take us through the reconstruction of her story, the use of her body, speech, memory and the data banks and central brain of the computer. She shares genetic, organic material with the computer as the computer replaces parts of her body with its cybernetic material. The relationship is unclear to both of them. Where reality exists is in a floating multi-layered network of hallucinations, fractured memories and her externalized inner life viewed on the computers screens, the film itself. She is physically present, witnessing and participating in the story on the stage, the computer, consisting of screens, sounds, musical icons and a glass central unit on which the woman performs her rituals of reconstruction. The story unfolds to her and to us simultaneously in a quest to understand what caused the accident...

"Orgy or the small daily agonies" - Loosely based on the theatrical tragedy of Pier Paolo Pasolini, which tells of the sadomasochistic relationship between a Man and a Woman, both victims and executioners who move within separate worlds of solitude.

In the winding streets of Asilah, the film tells the story of two children kidnapped by a gang specializing in begging, helping them escape and return to their family a big man has a mysterious past nicknamed "fox of Asilah"

Four childhood friends learn to cheat dice games from a heroine addict. They soon learn that the game of dice isn't about how the dice roll, it's about the people you roll with.

The film is about the suffering of a mother with one of her sons who asks her to sell the family home, one of the traditional old houses, to repay his debts, but she categorically refuses to bow to his request in favor of the "commandment" of her husband, who recommended before his death to keep the house.