After years of helping euthanize the terminally ill, a "hospice" worker begins to question the ethics of her job.

A young woman is struggling with her mental health, as it begins to slowly push her over the edge.

A socially awkward teen gets caught between a changing friendship and a life-altering discovery.

Ignoring the admonitions of locals, journalist John Miller heads out alone to explore the remnants of Buffalo City, once the busiest town in the area but now merely a pile of dilapidated ruins amidst the encroaching swampland. Are the tales of strange apparitions and deadly encounters merely musings from tale-telling old timers, or will Miller uncover something darker, something that may cost him his life?

Jacqueline has lost her mind a bit, but whatever, for her trip to the seaside, she has decided to take the train by herself, like a big girl!

Svenja and her 16-year-old daughter Kira have traveled the world a lot. Svenja is a hotel manager and is currently bringing an aging hotel in Australia back into shape. But her biggest challenge is her daughter, who has switched to complete refusal and doesn't let Svenja tell her anything anymore. Kira doesn't avoid confrontations at school either, which in turn leads to conflicts with Svenja. After another argument, Kira decides to go to Jack. Jack is Aboriginal and Kira's only friend. Together, the two young people go in search of their “special place”, their own particular locality. Svenja is beside herself with worry when she notices Kira's disappearance and gives chase with Jack's father Kalti, a deeply relaxed hotel boat guide whom Svenja had released two days earlier. An adventurous journey begins in the barren deserted Outback - for Svenja and Kira a strange world, fascinating, but also life-threatening!

In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

A young woman attempts to extract meaning from an intense loss as she encounters signs in her daily life and through the art of Hilma af Klint and Wassily Kandinsky. Point and Line to Plane portrays the phenomenon of magical thinking endured during an individual’s journey to process, heal and document a period of mourning.

A Japanese man mysteriously wakes up inside of his phone and is forced to confront the destruction his addiction to technology has wreaked on his life.

Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Legendary singer Claire Emery (Deneuve) flies to Japan for a final sold-out concert. But when the show ends, so does Claire’s life on earth. However, an unexpected new life in the spirit world - where she will be guided by Yuzo, one of her biggest fans - awaits.

A very rich and lonely dying man discovers the sperm he sold to help get through college has resulted in three children. He is determined to get this dysfunctional group together - whether they like it or not.

A wealthy man, who is financially depend on his wife, hits the car to kill himself. Car owners and friends bring the man home. After the man wakes up, he asks them to kill him and even offers money. Describing the gap and difference between rich and poor, the short film surprises everyone with unexpected final.

Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.