Hop on your flying carpet, because this musical parody retells the classic tale of Aladdin... from the villain's point of view! Long ago in a Magic Kingdom, one misunderstood Royal Vizier will go on a quest to save his city from its bumbling sultan, an invading prince, and the most notorious thief to ever live! With the help of the Kingdom's free-spirited, teenage Princess, the Vizier must find a magical lamp containing a wish-granting Djinn (who's really funny, by the way) and defeat the city's most-wanted criminal... Aladdin! This musical adventure celebrates and lovingly pokes fun at everyone's favorite series of hand-drawn, animated films.
Taking inspiration from Shakespeare's Hamlet, a young lion prince grows up in exile after his father is killed by his villainous uncle, and returns years later to reclaim his throne.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles. Louis Quilico was never quite in that league, and he sounds a bit spread and woofy in places here, but he works hard and effectively to bring Rodrigo to life. Placido Domingo recorded his first Don Carlo, for EMI with Giulini, about 15 years before this production, but he looks and sounds fine here -- in the early 1980's he was doing very good Otellos and Lohengrins too, and Furlanetto, still in his 30's, brings a rich, young voice to an old part and succeeds in making the Grand Inquisitor vocally as well as expressively formidable. Levine brings both weight and energy to the score, and that reading fits well with the overall "traditional" design and production -- the Met's wardrobe budget must have been severely taxed, but everybody looks splendid.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
The Loud family travel to Scotland and discover they are descendants of Scottish royalty as they move into their giant ancestral castle.
A contemporary musical version of the classic Cinderella story in which the servant step daughter hope to compete in a musical competition for a famous pop star.
Young Stanzi who is visiting Vienna helps a young corporal and musician to become famous for his marching song "Die Deutschmeister".
Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.
An all-female rock group finds fame, love, and drama when they move to LA in order to claim the lead singer’s inheritance.
It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors and new members of the coolest cliques on campus, the Pink Ladies and T-Birds. Michael Carrington is the new kid in school - but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, avoid a rumble with the leader of the T-Birds, and win the heart of Pink Lady Stephanie?
Two screwy characters travel to Hollywood and cause mischief.
Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.
Two worlds collide when a young Amish girl discovers she was adopted by a wealthy family. As she seeks her birth mother, overcomes the obstacles of a lost fiance, and a crafty gold-digger who seeks the fortune of her birth mother.
Enterprising youths live many adventures when they decide to start a business specializing in making video clips for rock groups.
This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.
Narges Shahid Kalhor is a director seeking to be rid of the "Shahid" (martyrs), who are too heavy a burden. From Bavarian bureaucracy and therapy to dancing with Iran’s past generations and their long shadows, she twirls through a heady autofiction.
The film is a rundown of the songs sung by the stars of the time, chained to various shows such as strip and comic caricatures.