Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
Françoise Hardy is one of the rare artists who keeps an intact aura and arouses such a fascination throughout her career with all generations. Her androgynous figure, her exceptional photogeny and her hieratic allure have inspired photographers and fashion designers alike and seduced the greatest rock stars such as David Bowie and Mick Jagger. This documentary film, rich in archives, skillfully mixes songs and confidences. It takes us on a fascinating journey through time, from the yéyé period to today, and into the artist's feelings.
This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to created the final 108-minute feature.
The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.
French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America.
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
Pablo Escobar was the richest, most powerful drug kingpin in the world, ruling the Medellin Cartel with an iron fist. Andres Escobar was the biggest soccer star in Colombia. The two were not related, but their fates were inextricably-and fatally-intertwined. Pablo's drug money had turned Andres' national team into South American champions, favored to win the 1994 World Cup in Los Angeles. It was there, in a game against the U.S., that Andres committed one of the most shocking mistakes in soccer history, scoring an "own goal" that eliminated his team from the competition and ultimately cost him his life. The Two Escobars is a riveting examination of the intersection of sports, crime, and politics.
A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.
With a strong emphasis on founder Larry Harvey and temple artist David Best, this video expresses the scale and power of the Burning Man experience. Superb cinematography and editing are combined to make this is one of the most moving Burning Man videos ever produced.
Based on intense research - and seen through different realities, that of those who study it, that of those who try to contain it and that of those who live in it -, the film opens a debate about the largest and most impacting scene of crack use in an open area of the world: Cracolândia, in São Paulo. The work analyzes the causes of this evil and its progressions, in addition to the combat tactics already carried out in São Paulo, opening a parallel with those applied in other countries.
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.
Kevin Jerome Everson and his collaborator Kahlil I. Pedizisai filmed the comings and goings in front of a trap house on Empire Street in Cleveland, Ohio. Loosely inspired by Andy Warhol's 1964 film "Empire," which also runs for eight hours.
Cocaine has always gotten a bad rap, and for a reason. It is a drug used by the rich and the poor legally and illegally, Mexican cartels fought over it with Colombia once associated with the brutal cocaine wars, and a source of tension between the American and Mexican borders on the people who are illicitly bringing in cocaine from one side of the border to another and will do anything to do it. So it can be surprising at times to the viewer throughout the course of the documentary special, that it was never always like this.
This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the South Australian regional town of Mount Gambier in the mid 1960s.
One man's search for the prolific funk legend, Sly Stone.
The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.
This Finlandia Survey compilation ranges from 1949 to 1961, and in it we get to see glimpses of news from both local matches and early international matches. The brave Finns play against the infamous Soviet Red Machine, Canada, and a team of journalists.