A little girl is taken on a mind-bending tour of her distant future.
Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.
A man in his fifties reminisces about his childhood growing up in a Welsh mining village at the turn of the 20th century.
Northern China, 2004. When miner Zhang Baomin returns to his home, a small and isolated mining village, his wife tells him that their son has mysteriously disappeared while shepherding his small flock.
The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.
Based on the true story of the collapse of a mine in San Jose, Chile—that left 33 miners isolated underground for 69 days.
Schuylkill County, Pennsylvania, 1876. A secret society of Irish coal miners, bond by a sacred oath, put pressure on the greedy and ruthless company they work for by sabotaging mining facilities in the hope of improving their working conditions and the lives of their families.
Glace Bay, Nova Scotia Canada, 1901. Willie MacLean is a 10-year-old boy with a love for horses and liking to school to cape the difficult times his family has. Willie's stern, but benevolent father is a coal miner in a local mine along with his older brother John. But when Willie's father is injured and John is killed in an accident at the mine, Willie is forced to step into his brother's shoes to support his older sister Nelle, and two younger sisters until their father recovers. Willie soon finds work at the mine lonely (aka: the pit) and unfriendly in which he forms a bond with a pit pony horse in order to make it though each day.
Two miles into the earth, nine Appalachian miners struggle to survive after a methane explosion leaves them with one hour of oxygen.
Milena travels to a remote opal mining community to see her estranged, ill father. Lost and alone, she falls into his bewildering world, where men escape society and share ideals of freedom. Soon, he doesn’t want her to leave. Stuck in time, father and daughter try to mend their fractured bond, but their connection is fragile, like the strange, colourful gems he digs up from the earth.
On the Moon in the year 2021, a former-astronaut-turned-salvager helps a millionaire space industrialist capture a 6000-ton sapphire asteroid, while also assisting a woman in finding her missing miner/prospector brother
Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own adjacent ranches. Bill, the foundling whom Cash has raised to young manhood, wants to end the feud and extends an olive branch toward Jeff, who now has a lovely daughter. But during a mining venture, the bitterness escalates. Is Bill to be set against his own adoptive father?
A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing.
In 1890 Minnesota Christine Powell is the scheming head of the Powell dynasty, the richest mining empire of the era. But the Powell mine deposits are diminishing. The Mesabi range represents a whole new productive area but the rights to mine there are held by a young geological engineer, Kyle Ramlo. The latter reaches an impasse when he needs money to continue his experimentation with open-pit mining and goes to Miss Powell for financing. She displays great interest in both his inventive mining method and in him personally but secretly plots to destroy him and take over his Masabi rights. The gullible Ramlo falls into clutches while the girl he really loves, Cathy Norlund, tries desperately to open his eyes to Christine's scheme.
A prospector in the year 2047 must rescue a girl enslaved by a mutant race of gold-injecting vampires.
June Lorich works at the Mesabi Mine on Minnesota's iron range. After an emotionally and physically abusive marriage, June is determined to make it on her own. But the worsening steel industry forces major cutbacks and June is bumped down to an all-male pit. She becomes the brunt of the other workers' hostilities and is forced to fight against them -- and the man she loves -- to save her job.
1940s British realist film about the life and struggles of a family in a Welsh mining town.
Bob Fulton is the superintendent of a mine in the West. He wins the enmity of dancehall owner Jack King when he saves one of the girls, Rose De Braisy, from his unwanted advances. Fulton also wins Rose's love, which he does not return. The mine's owner sends his troublesome son, Roland Holt, out West to work at the mine. Before Holt leaves the East he secretly marries Beth Hoover. Upon Holt's arrival, Fulton tries to befriend him, but Holt prefers the company of bad-guy King.