Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

In July 1936, the Spanish people resist the offensive by Franco’s army, backed by Italian and German fascists, aimed at conquering the country's major cities. Although many of the recruits to the new Republican Army are well trained, weapons and ammunition remain in short supply due to the non-intervention agreement initiated by France and signed by Italy and Germany. Yet the latter two countries continue to provide Franco’s army with military support and commit their troops on Spanish soil, while the fighters of the International Brigades return home.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

This documentary is the first of a series that dedicated 4 issues to the activity of the Durruti column in Aragon.

We had to wait until the Spanish “Movida” of the 1980s to see films that did not emanate from Francoist propaganda. But Spain had already experienced a period of cinematic splendor, during the civil war, when the film studios were under the control of the Republicans. By describing the "competition" between Republican and Francoist cinemas of the time, Richard Prost provides a unique vision of the Spanish Civil War.

During the 30s, the young Catalan teacher Antoni Benaiges takes office at a rural school in northern Spain. Antoni has a simple project: he wants to teach his pupils to write and to be free through the use of the printing press. But his dream ends very soon. An individual and collective story in memory of the victims of the Franco's repression.

The documentary film by director Bartomeu Vilà relives the experiences of one of the last cinematographers of the Republic, Joan Mariné, exceptional witness to a moment in the history of Catalan cinema that, despite the economic precariousness, the lack of means and the difficult international circumstances, was characterized by its high production, never surpassed, and its innovation in forms and contents. Through the memories and experiences of Joan Mariné (Barcelona, ​​1920), the documentary takes a tour of the films he filmed during those years of contention, both with the Sindicat d'Espectacles de la CNT/FAI, and later with the production company of the Republican Generalitat, Laya Films.

After more than 75 years, Vicente Montejano tells us first-hand about his experience of more than 14 years in the Russian Gulag after the end of the Spanish Civil War.

After the Civil War, between 20,000 and 30,000 Spaniards went into exile in Mexico. This was the country that welcomed the most exiles, after France.

It tells the story of honorary consul Porfirio Smerdou, who saved the lives of 567 people in the Civil War.

The son of an anarchist republican who went into exile in Mexico in 1941 brings back to Spain the suitcase with which his father left Spain. Through his testimonies we will discover the exciting story of his father, unknown until today in Spain.