Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.

The story of the military unit organized by future U.S. President Teddy Roosevelt and its adventures in Cuba during the Spanish-American War of 1898. This film is lost.

Ralph Brooks, although engaged to Julia Dean, meets and becomes infatuated with Rita Reynolds. She gains his sympathy by telling untrue stories of her husband's brutality. They plan to run away together but while Rita is taking a large sum of money from her husband's safe, he returns early from a business trip and a fight ensues which results in her husband's death.

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

Mary Doone (Theda Bara) is a poor British girl who runs away from her adopted family because the father made a pass at her. She lives at a parish house, and at the outbreak of World War I, she becomes a Red Cross nurse.

On her way to New York for her first stage appearance, Linda Cunningham meets Mame Jarrow, a nightclub singer; Linda later drops by to hear Mame sing, accompanied by their angel, Paul Nicholson, a wealthy roué. Mame gradually comes to realize that Linda is her own daughter, from whom she was separated years before by pious relatives. Using all her wiles, Mame attempts to keep Linda from falling prey to Nicholson, and when all else fails, she sends for Jerry Connor, Linda's small town sweetheart.

A war worker wins back her wounded husband with recollections of their honeymoon.

Today and Tomorrow (Hungarian: Ma és holnap) is a 1912 film directed by Michael Curtiz and starring Gyula Abonyi and Jenőné Veszprémy.

A doctor's wife is arrested for educating impoverished women about birth control.

In this film, African-American Leroy Collins struggles with the onus placed on him by Society when he falls in love with a white woman.

Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.

Leslie MacLeod (Kathryn Adams) comes to England from the U.S. so that she can settle financial affairs with Lord Glenayr (Jack Holt), whom she has never met. She encounters Duke Lanzana (Fred Malatesta), who sees her as a way to pay off his mounting debts. He captures her and then heads to a nearby cape to steal a buried treasure that actually should belong to the MacLeods.

"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.

Florid melodrama of misunderstandings, betrayal and desperation as Theda schemes to keep the title secret.

This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous

The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.

Sequel to von Stroheim's The Wedding March released only in Europe. The only known copy was destroyed in a fire at the Cinémathèque Française in 1959.

A young Jewish woman is pressured to marry a wealthy man even though she is in love with someone else.