This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
"Heart-wrenching cry about the physical suffering caused by the AIDS plague being compounded by the shameful arrogance of self-appointed moralists."
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
In 2017, a short anime film called Hypersonic Music Club was produced in Japan. It was directed and written by Osamu Kobayashi, a veteran of the industry who passed away in April 2021. For various reasons, this short anime was never released. It was made public on August 1, 2023.
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
Made by film students, the short film is a tribute and authorial reinterpretation inspired by old Pink Floyd music videos as a psychedelic trip. Using overhead projectors to capture a liquid light show, the narrative is stitched together from a retro photograph, bringing a bit of 60s psychedelia with an air of nostalgia. With the combination of two of the band's songs ("Echoes" and "Astronomy Domine"), the music video brings the concept of the realism and ludic, of the present moment and insanity. Composed of characters who are part of a fictional band and travel through the delight of a mind that lives in the past while resting in reality.
A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.
Surreal environments take center stage in this visual odyssey.
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.
On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.
A 57-minute long-form music video illustrating the subjects including magic, the nature of reality and chaos - and honouring the works of Robert Anton Wilson, Terrence McKenna, KLF and Alan Moore.
An experimental short film exploring themes of depression and existentialism through various empty spaces and poetic narration by a young French-speaking woman.
Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.