A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

This film portrait of a new kind is a deep dive into the heart of the art scene of Los Angeles. From a ride on Sunset Boulevard in a convertible car at the sunrise, going through a lunch with the art dealer Patrick Painter and a visit to Peter Shire's studio... Having a beer and a deep talk with Paul McCarthy, calling Raymond Pettibon stuck in New-York or searching for Ed Ruscha in bars.... From Ariana Papademetropoulos opening exhibition to the visit of a car wreck with Umar Raschid... From the old house of Cary Grant to the dodgy underground of Downtown passing through Eugenio Lopez's private art collection on the Hollywood hills... Through intimate conversation, 24 Hour Sunset gives us access to the thoughts, inspirations and practice of legendary artists, world famous art dealers, appraised curators and collectors, as well as the young up coming scene of artists living in Los Angeles.

Esperanza and Teodula are calling for justice in rural Peru, part of 300,000 people sterilised without consent more than 18 years ago. The Quipu Project is their phone line that allows the affected across the country to share their shocking testimonies and ensure those responsible are punished.

Chronicles the fascinating and often turbulent life of Townes Van Zandt.

One of the world’s greatest ancient enigmas, the Nazca lines are a dense network of criss-crossing lines, geometric shapes, and animal figures etched across 200 square miles of Peruvian desert. Who created them and why? Ever since they were discovered in the 1920s, scholars and enthusiasts have raised countless theories about their purpose. Now, archaeologists have discovered hundreds of long-hidden lines and figures as well as evidence of ancient rituals, offering new clues to the origins and motivations behind the giant desert symbols.

This early, influential propaganda film blends documentary and studio footage to show the valiant efforts of the Royal Air Force to defend the British people against the Nazis.

In a 2012 joint investigation by FRONTLINE and the Center for Public Integrity, correspondent Miles O’Brien uncovers the shocking consequences of a broken dental care system. Poor children, entitled by law to dental care, often cannot find a dentist willing to see them. Others kids receive excessive care billed to Medicaid, or major surgery for preventable tooth infections. For adults with dental disease, the situation can be just as dire and bankrupting. While millions of Americans use emergency rooms for dental care, corporate dental chains are filling the gaps in care, and in some cases have allegedly overcharged patients or loaded them with high priced credit card debt.

A brief history of British aviation and the development of both civil and military aircraft. Made for the Festival of Britain.

Next to the Bijenkorf on the Coolsingel stands one of Rotterdam’s most famous sculptures, an untitled structure created by Russian modernist artist Naum Gabo, that has been simply called Het Ding (The Thing). This documentary about the restoration of Naum Gabo’s nameless sculpture from 1957 combines awe-inspiring shots of this artwork with audio fragments from Gabo’s fiery Russian manifests.

Nothing destined this child born in Marseille in 1921, and from a modest background, to become an avant-garde artist. At 12 years old, the one who is still called César Baldaccini works to help his father, but also studies drawing. In 1943, he moved to Paris and enrolled in the Beaux-Arts. He chose sculpture, an expensive art for this penniless student. From the 1950s, he shaped fine animals from metal debris collected in factories. This alloy between his Mediterranean imagination and these industrial materials earned him the attention of Picasso. But in 1960, this instinct, now in vogue, brought about a radical change. Fascinated by hydraulic presses, he presented three compressed cars at the Salon de Mai. The artist stands aside in front of the machine, and the morbid aesthetic of the breakage radiates the sculpture. Outcry!

“The artist, in his movement towards the ideal, upsets the stability of any one society. Society aspires to achieve stability; the artist aims for infinity. That is the artist’s responsibility and the spiritual sacrifice demanded of him.” Rui Chafes, O Perfume das Buganvílias, 2012 (19).

Stonecutters emigrated from northern Italy to Barre, Vermont, the "Granite Capital of the World." Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.

Francisco, Isabel, Fco. Javier and David are captured in different parts of the world when they worked as "mules" to overcome the crisis. They tell their stories from the deal that turned them into traffickers to their release from prison.

Artists like Robert Smithson, Donald Judd and Peter Hutchinson borrowed liberally from science fiction film and literature in their work. This collage treats the marvellous, seemingly indestructible, objects of mid-century science fiction cinema as artworks in their own right.

On January 26, 1950, a US Airforce troop plane left Anchorage for Montana with 44 people on board. The crew of the Douglas C-54 Skymaster #2469 was supposed to check in every half hour along the route. As the aircraft crossed into Yukon, they radioed the tiny outpost of Snag to say that there was ice forming on the wings, but otherwise all was well. After that, the Skymaster disappeared. And to this day no sign of the aircraft or its passengers has ever been found. This fascinating Yukon-shot documentary tells the stories of the victim’s families and an intrepid group of Yukoners striving to give those families closure by searching every summer in hopes that the Skymaster will finally turn up.

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

For many years, Saturday market in Skulte has been one of the main events of the week. The roles in the market have been carefully divided among the locals – there’s the pastor of the local parish, the bell-ringer, the pharmacist and the nearby residing sheepman, and it’s been long since it’s not just a customer-vendor relationship among them. Suddenly the owner of the market comes on the scene – he has decided to move it all to a new location, which so far has been known as an accident blackspot.