After swimming class, two 12-year-old boys, Jules and Noam, chat and discover that their grandfathers fought in World War II. One, a German soldier; the other, a Jew.
It's the morning after - and four is a crowd. Couple Samantha and Peter negotiate a thoroughly modern and thoroughly awkward situation.
A chilling short horror film about two young strangers waiting for the bus and getting entangled in the mysterious and terrifying circumstances around the bus stop.
This Crime Does Not Pay entry focuses on fake spiritualists. A mother is worried about her son, who is missing in action. Over time, she gives a con man all of the family savings to find reassurance that her son is all right. When she can no longer pay, events take a tragic turn.
The relationship of two men is threatened by a secret.
A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.
Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.
On a Saturday night in the "City of Love", two sworn enemies are united in their hatred for someone they despise even more than each other: a gay man.
Stuck in his endless loneliness, a man wanders in a post-apocalyptic world... Only to discover he is not alone.
Set during the Greek financial crisis, The Red Villa is a tale of suspense and deception, which tells the story of Kate, a young tourism representative who gets embroiled in the amateur attempts of two English boys to smuggle a priceless artefact out of Corfu.
Following his mother's wishes, Jo, a reclusive young tailor from Tokyo embarks on a solitary journey across Japan.
A young soldier seeks to impress his love at the local village dance before he is mobilised for war. But the waltz is not the only thing that Stanley has to learn.
About a man, his car, and a struggle against outback Australia and its denizens. The film follows the story of Blair, a young business man, on his way too the deal of a life time, a deal that will set him up for life. However, much like many well laid plans, his journey goes horribly wrong, but he ends up gaining more than money could ever buy.
The extremities of a middle-class being ramble on, reflecting poetically on the wretchedness of moderation.
Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.
A man is sick and he doesn’t show himself. Three people don’t go to visit him and they show themselves.
According to Muslim practice, burial ought to occur within 24 hours of death — so after Manny’s immigrant husband, Sameer, passes away in an accident, he is confronted by a representative of Sameer’s family urging him to sign the paperwork needed to ship the body back to Kuwait. Manny initially refuses, clinging to his rights as Sameer's husband, while knowing that with every passing hour, Sameer's family grows more infuriated. After an emotional climax, spurred on by the family’s homophobic claim that Manny and Sameer’s marriage was merely a green-card arrangement, Manny comes to realize that his objections won't change the fact that his husband died — try as he might, he cannot delay grief.
Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.