A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
David Tennant stars in a film of the Royal Shakespeare Company's award-winning production of Shakespeare's great play. Director Gregory Doran's modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.
An insane surgeon's obsession with an actress leads him to replace her wounded pianist husband's hands with the hands of a knife murderer--hands which still have the urge to throw knives.
A group of students from the Cosmo Academy are about to take their final exam: surviving for over fifty days in a derelict ship. But when they arrive, they discover that instead of ten students, there are eleven. One of them doesn't belong there...
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught teenager performs the operation on his girlfriend after she's killed in a motorcycle accident.
A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.
Director Mario Van Peebles chronicles the complicated production of his father Melvin's classic 1971 film, "Sweet Sweetback's Baadasssss Song." Playing his father in the film, Van Peebles offers an unapologetic account of Melvin's brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
Heera Bhatti, an American-Sikh, runs a corner store in Los Angeles with the help of her son, Vikram, and Gulu. She does not approve of Vikram's Caucasian girlfriend, Lillian, and would prefer that Vikram marry a Punjabi girl, but Vikram has made up his mind. Then the lives of all Californians are turned upside down when one morning eight people are dead after drinking contaminated tap water.
Female prisoners endure the horrors of drug abuse, prostitution and rampant sadism at an island prison. When an escape attempt goes awry, the fugitives discover that escaping can be as dangerous as remaining in the prison.
The role of Milagros (Esperanza Pedreño) is really very touching, creating a bond between the audience and the reality of the character and plot, on the other hand Rosario (Malena Alterio), his mother (Maria Alfonso Rosso), the first is all plot, also Morsa (Antonio De la Torre) is a ground for Rosario and makes the film a tragedy for life which ended in abiding by what comes. Each role has its own tragic history (the movie don't explore) but try to reflect the main characters from what happens with their surrounding environment To End, that is an existential search to find a place in a society that is not for everyone and understand that we are not alone in the world I like this movie, because is simple and leaves a good taste in the mouth.
A young man named David unknowingly ventures into a land controlled by the powerful witch queen, Alotta, and her coven. Every year the local villagers must offer a child to the queen in order to maintain a pact of peace. But David has fallen in love with a river nymph named Yyala and he cannot have a relationship with her as long as he has a soul. So, he offers his soul to Alotta in exchange for the life of a sacrificial child. Now David and Yyala can be together, but if Yyala ever abandons him, his life belongs to the witch...
A desperate girl in need of a job resorts to applying for a house girl position when the friend that she is squatting with blocks all her efforts at getting a corporate job, and receives way more attention than she had bargained for.
Louis, young Toulousain of 7 and fan of rugby, finds himself suddenly invaded by a newcomer. And trust me, he's not ready to become a big brother... Supported by his faithful toys, will they succeed to chase away the newbie?
Four different but similar stories of four teenagers trying to escape a twisted, fragile, and empty society.
Over the course of one fateful Christmas night, a woman named Helena is virtually revisited by a key figure from her past, as old memories are provoked through an archive of elusive and cryptic video logs. In the process, emotions that have long been dormant rise to the surface.