Wellington the dog is given a package to deliver to Uncle Louie, with strict instructions not to let go of it. Sylvester and another cat that Wellington has been tormenting see this as their chance to get even. Besides repeatedly filching the package, at one point they drop a duplicate off a bridge. Wellington still manages to retrieve the package a few times, but never for long.

Manhattan, New York. Confined to his wheelchair, José Antonio enjoys a pleasant afternoon of reading.

An emaciated canary, singing like Frank Sinatra, is getting on the nerves of a pipe-puffing parrot, who speaks like Bing Crosby. The parrot spots Sylvester, foraging through the trash. Telling the cat he needs more vitamins (which the canary has been swallowing in bulk), he lures the cat inside to snare the canary. The straightforward approach fails (the canary bops him in the nose). He carves a female canary from soap, lures Frankie there; the birds slide down a greased counter, into the sink, and down the drain, but only the soap bird goes through the pipe and down Sylvester's throat. A trail of birdseed into the garage seems to work, but Frankie jacks Sylvester's mouth open. Sylvester laces the vitamins with buckshot; like all cartoon magnets, his attracts everything metal in sight except his prey.

In this episode of the Caminandes cartoon series we learn to know our hero Koro even better! It's winter in Patagonia, food is getting scarce. Koro the Llama engages with Oti the pesky penguin in an epic fight over that last tasty berry. This short animation film was made with Blender and funded by the subscribers of the Blender Cloud platform. Already since 2007, Blender Institute successfully combines film and media production with improving a free and open source 3D creation pipeline.

This short film profiles the benevolent Mike Sullivan, who has been in the process of shooting a stop-motion robot sex film in his New York City apartment for the last ten years. Obsessed with the meticulous construction of the miniature robot porn stars, his apartment now overflows with thousands, leaving him only tiny paths to navigate and no place to film his epic.

A yarn about the mythical Leprechauns who reside in Ireland and their crock of gold. The legend says that if anyone succeeds in capturing one of the wee men, the little person must then lead them to where the gold is hidden. Young Patrick, on his 121st birthday---that is correct, his 121st birthday---is permitted to do a good deed, and delivers new shoes to the homes of the poor. But, alas, the town miser spots him and succeeds in capturing him. Patrick leads the miser to the spot of the gold, a tree stump, and promises, as the legend says, not to remove it while the old miser rushes home for a shovel. But, when he returns he now finds hundreds of tree stumps, and is foiled. Young Patrick is welcomed back home with a birthday cake...with 121 candles.

A grand-mother replaces her old companion robot by a more recent one. But things won’t go as expected…

Bluto, the daring hot air balloon rider, catches the eye of Olive at a carnival, much to Popeye's chagrin. Bluto manages to make Popeye look bad several times, eventually winning a ring at the ball toss and taking her up in his balloon. Of course, he tries to get fresh with her, and Popeye comes to the rescue with the help of some fireworks. The hot air balloon gets a bit too hot, putting Olive in even more danger.

Nieto shows an audience how to construct animation.

Where does love go when lovers break apart? Or when they stay together? How do you find the spirit to fall in love again? Is it permissible-possible and is it possible-legal to love several people at the same time? What becomes of our love after death, is it really that important or simply inevitable? This is about the laws of love, which are as simple as one, two, three, when we are still in love, but incomprehensible and unexplainable once love retreats. About the logic of the heart, which has nothing in common with common logic, just like non-Euclidean geometry disproves and surpasses the Euclidean one.

Sergeant Jeong Cheol-min's squad are in a renovated stock room with no window. The squad members are well known to be a hardworking group until Councellor Hong Yeong-soo comes in and starts causing trouble. Hong Yeong-soo seems to have difficulties adjusting to this environment. Things in the army changes rapidly, Jeong Cheol-min and his crew find themselves under attack perceived as the aggressors.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

Herman, the city-slicker mouse (looking like a cross between James Cagney and Lee Tracy) visits his barn-mice cousins in the country.

After somewhat hectic travel preparations, Anatole and Margot set off on holiday. The cart arrives at its destination, somehow or other, and it’s time to set up camp. But the task isn’t always simple and Anatole is literally blown away, inflated like an airbed!

Lulu plans her revenge against a distressed golfer who refuses to give her a lollipop after he promised her one for caddying for him.

"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the computers. John Godfrey helped with the video editing. I did the sound score. The original tape was done on 2" high-band color videotape, two computers, a Paik-Abe video-synthesizer, with studio chroma-keying and multi-generation video editing." A version of Computer Graphics #1, one of Emshwiller's very first video works.

"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."

Droopy pursues a rude customer for a tip

In the pitch darkness a man cannot see anything. Only light source is a light lit with a match by someone else. The light is lit and put out. This repeats sometime and eventually the man makes up his mind.

A short film by István Orosz that explores spiritual, meta-physical, psychological and philosophical themes on a cosmic scale.