After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
A short by Steven Soderbergh described as “intense sci-fi homage to Godard.”
The light's in a student's room begin to shut off around him. He must escape the room before he is swallowed by darkness.
An Arthouse film made only using footage taken during a sunday trip to the cottage. Features a self composed soundtrack and avant garde visual flourishes.
On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.
An experimental reinterpretation of 1950s science fiction B movies.
Quinn is a grade school teacher who is exploited by a group of memoryless individuals who reeducate his long-term partner Amy.
Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.
The film takes a look at seven different twilight zones between the physical and virtual. We cannot escape from the grid but can we bend it from the inside?
A year ago, i went to a Cottage and made a short movie with the footage. I went back this year for a weekend and came back with more footage. What i made with that footage is the following.
A short film about creation and how it doesn't always go to plan.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?
The movie tells the story of how movie theatres can be an escape from the outside world.
A short inspired by Stanley Kubrick's 2001: A Space Odyssey (1968)
A dystopian society ruled by machines where the fate of humanity hangs in the balance.
Surreal environments take center stage in this visual odyssey.