In late summer 1991, three Italians reach a hunting reserve in Croatia with a station wagon. They go to deer, but, unaware of what's in store for months, they do not decipher the enigmatic signs that surround them. One of the three is suddendly wounded in the knee by a bullet of unknown provenance, and they end up in a hotel targeted by snipers night and day.
Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper cartoon is enough for Mesha to join many arrested unfortunates. His family is now forced to cope with the situation and wait for his release from prison.
At his school, 10-year-old Zoran wins the competition for the best essay about Tito. His reward is participation in the march "Revolutionary trails" to Tito's hometown of Kumrovec.
In order to check the German offensive, Partizans send an elite team of explosive experts to blow up a strategically important bridge. Besides being heavily guarded, that bridge is almost indestructible and the only man who knows weak spots in the construction is the architect who built it. He is, however, reluctant to cooperate because he doesn't want to see his masterpiece destroyed.
An ex-soldier storms a supermarket and takes all the cashiers captive because one of them insulted his grandmother.
A corrupt village commissar insists on mounting a production of Hamlet. The clever local teacher, however, casts the son of a man framed for theft as Hamlet, and the commissar as the usurping king, leading to a climax of truly Shakespearean proportions.
Belgrade in 1963. In a yard surrounded by buildings, a group of young people of different backgrounds and social status, but of similar views about love and self-affirmation, spend their time together. Their friendship is dyed with various events typical for socialism, such as working actions or Youth Day's parade. All what happens within this yard may become an allegory of one generation's destiny.
At the beginning of 1991, Yugoslav army did not acknowledge Croatian's independence, and still holding few military barracks in Croatia. Gajski travels to an island to get his son out of the army. Locals have besieged the barracks and organized a festival to try with singing and recitals to get major Aleksa and his soldiers to surrender, but Aleksa has explosives thru the barracks and wants to blow up the island.
An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.
What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
Yugoslavia, 1948, the year of Inform Bureau's resolution and Tito's break-up with Stalin. The story takes place during a wedding in the Dalmatian inland in Croatia. Ante marries a much younger woman, Visnja; the groom's godfather is Andrija, the partisan war hero born in this very village, and a member of the new Communist political establishment. Two members of the Yugoslav State Security crash the traditional wedding ceremony. In the growing atmosphere of fear nobody knows who will be arrested.
During the Cold War, diplomatic courier Mike Kells must retrieve a dispatch containing top-secret intelligence. But when he arrives at the meeting point, a train station in Salzburg, his contact turns up dead, and the message is nowhere to be found. With no clear suspect in sight, Kells must sort through his uncertain relationships with two women, while sidestepping the pitfalls of subterfuge, sabotage and spies in his search for the documents.
The California Atoms are in last place with no hope of moving up. But by switching the mule from team mascot to team member, (He can kick 100 yard field goals!) they start winning, and move up in the rankings, Hurrah! The competition isn't so happy.
A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.
A French woman falls in love with a Yugoslavian man, not realizing that he is an illegal immigrant.
Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.
A flat broke aging boxer, living on the verge of existence, teams up with the equally desperate people in the city's suburbia to steal, cheat, and even kill for the money.
In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.
They meet in Yugoslavia. Katharina, daughter of a Yugoslavian immigrant worker, has grown up in the Federal Republic of Germany. She is a confident, energetic career woman who has managed to work her way up to become a successful television journalist. She goes to visit her parent's country, to do a story about the children of immigrant workers in their home country. Although she says she doesn´t need a "home" any more, even she feels strange in her own country. Peter is a rather "untypical" sort of man: a dreamer, a thinker. He has given up his steady job as a composer for advertising films and is divorced. He goes to Jugoslavia to find something out about the past. He travels to the places where his father was stationed during the Second World War.