In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
Pet Shop Boys filmed live in Rio De Janeiro, Brazil, at the end of their 1994 Discovery tour. They perform many of their most famous songs as well as cover versions and tracks from their hit album, "Very", before a wildly enthusiastic Brazilian audience.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
A South African documentary film about 5 young Afrikaans punk rockers that transformed a generation during a unique time in history - in one of the most reluctantly complex and evolving societies of the 21st century. The film follows the story of the band over 4 years as they forge a place for themselves and their fans in the new South Africa, in the process challenging the stigmas and expectations placed on them by their Afrikaner heritage, the church and tradition. Through the death threats and Christian backlash, they stood tall - sentries for the right to identity and freedom of thought. A story that transcends language and culture; and bravely faces a truth, that most would've left in darkness.
"My Socialist Home" is a documentary film exploring the significance of gender in the constitution of domestic space in the socialist and postsocialist state.
Lions - the most feared, most iconic predator in Africa but a lion is not just a lion. Each is very different to the other. Different parts of Africa demand specific things from lions to survive. The secret is to be highly adaptable. At the end of the day, the livelihood of the pride rests on the female's shoulders. She's the one who must excel. Follow three lionesses from different parts of the continent to see how they respond to win?
A Thousand Words explores a daughter's relationship with her stroke-stricken father through still pictures and 8mm footage he shot while serving in Vietnam.
A cinema-verité documentary of Ghana’s five years of independence under President Kwame Nkruma. Striking color images of Africans in modern-day jobs, such as airline pilot and construction worker, predominate, with little voice-over.
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.
Spend a dreamy day traveling through New York City with one of its most infamous, yet beloved, local characters. Part of the Open City Mixtape series.
A Conversation with Martin Scorsese & Francis Ford Coppola
John Pilger returns to Vietnam in 1974. America had withdrawn its ground forces at the beginning of the previous year, he reports, yet the war had not ended. During this ‘peace’, more than 70,000 soldiers and civilians had been killed.
Allied to a four-year Daily Mirror campaign by John Pilger that helped achieve compensation for many of the forgotten and mostly working class victims of the notorious drug prescribed to women during pregnancy. Broadcast in 1974, the theme of Thalidomide: The Ninety-Eight We Forgot was to become a Pilger hallmark: injustice.
Alabama governor George Wallace made his name as a segregationist remembered for standing “in the schoolhouse door” of the University of Alabama in 1963 in an attempt to stop the enrolment of black students. John Pilger subsequently interviewed Wallace on the campaign trail during two general elections.During the second, in 1972, Wallace was shot in an assassination attempt, leaving him paralysed and in a wheelchair. In The Most Powerful Politician in America, made in 1974, Pilger looks at the likelihood that a reinvented Wallace will run for the White House two years later, manipulating contemporary American passions and exploiting his influence in the powerful “Dixie” states controlled by the Democratic Party.
In the 1960s, as West Indians, Pakistanis, Indians and Africans began to arrive in Britain from former British colonies, race became a political issue. In the 1964 General Election, a swing to the Conservative Party in Labour’s Smethwick constituency and Enoch Powell’s “rivers of blood” speech on immigration four years later put attitudes towards ethnic minorities on the political and social agenda. In One British Family, made in 1974, John Pilger focuses on Gus and Julie Gill, who arrived in Britain from Trinidad in 1961. They now had three children and their own house on Tyneside, where they were the only black family in the street. “They take less from the social services than the equivalent white families,” says Pilger. “They’re not on any council’s housing lists and they’ve never been out of work.”
In 1974, when famine hit the country, Pilger returned to Bangladesh to make An Unfashionable Tragedy. It contains harrowing scenes of starving children but also puts the horrors into a geopolitical context. This is Pilger’s first documentary to highlight his theme of expendability, whereby countries with no oil, strategic value or military power are considered unimportant to the superpowers. Bangladesh, he points out, is not one of the United States’s “client states” on a priority list to receive its surplus food.