Filmmaker Péter Forgács compiles home movies by a family of Catalan industrialists who have documented their lives as their homeland is besieged by labor unrest, the collapse of the monarchy, the rise of anarchism, and ultimately the Spanish Civil War.

The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

The Taking of Siétamo is a report on the activity of the FAI (Durruti) Aguiluchos column on the Aragon front in August 1936 and focuses on the conquest of the town of Siétamo.

This documentary examines the experiences of the Abraham Lincoln Brigade, using interviews with survivors more than 50 years later. First, the film sets the context with the rise of Fascism. Then, in 1936, Spain's military revolts against the elected government, and the U.S. and Europe agree not to intervene. In response, volunteers snuck past border guards into Spain to fight with the Republicans. The men and women veterans describe the perils of reaching Spain, limited training, responsibilities of command thrust on the very young, deprivations of a soldier's life, lack of matériel, horrible rates of casualties, and ultimate vindication at the end of World War II.

Third film of Juan José Ponce's trilogy about Federico García Lorca.

After more than 75 years, Vicente Montejano tells us first-hand about his experience of more than 14 years in the Russian Gulag after the end of the Spanish Civil War.

The story of the pioneering electronic composer Ramón Sender Barayón. From his escape from the Spanish Civil War to the California of psychedelia, hippies and counterculture.

In 1936, the war broke out in Spain and in 1937 the front was maintained for many months around Angiozar and Elgeta. It has often been talked about what men experienced, but women have also experienced the war. Through this documentary, their bravery and courage, both at the front and in resistance away from the front, has been highlighted and recalled.

Documentary about the bombing of Gernika carried out by Nazi aviation in support of Franco's troops. Contains testimonies from survivors and unpublished color images.

After the Civil War, between 20,000 and 30,000 Spaniards went into exile in Mexico. This was the country that welcomed the most exiles, after France.

In 1936, after the coup d'état perpetrated by Franco against democratic Spain and the subsequent dictatorship that followed a bloody Civil War, women suffered physical, sexual, economic, educational and political violence, leading to the largest theft of babies in the world. History of recent Europe. 'Las vencidas y no derrotadas' is a documentary with the testimonies of these women, whose faces bear the mark left by unhealed wounds. Its protagonists tell us about real events, reliving events that were milestones in their families, towns and cities, supported by graphic documentation of family and personal memories, as well as images and audios from historical archives.