A short history of the island is followed by views of the countryside and people in town and village.

Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Unconditional: A Journey of Selfless Love explores the love, care, and sacrifices family caregivers give to their loved ones and the many loving choices they have to make. Learn what it means to be committed and loyal to someone no matter the circumstances as highlighted through four caregivers and their journeys.

Modified flashlights and stripped down video projectors explore the visual complexities of the ordinary world: a tunnel, a clump of grass, a discarded table, the underside of a bridge, fog, a piece of rock and a tree. All the images were shot in real time, there is no animation, but through the power of a peculiar form of illumination they become mysterious and evocative.

Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

Wilfredo Morales, a man whose daughter is a bachelor of medicine, is infected while working in the midst of the COVID-19 pandemic, having to face a poor health system, he starts a race against the clock: Wilfredo only has 2 hours to Find an oxygen balloon and a mechanical ventilator before it's too late.

Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye

Home movies and family photographs mixed with drawings and texts tell the story of a family that has lived with disease.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

A portrait of life in Islamorada, Florida, its unique residents, and the unprecedented changes that have begun taking place.

A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.

A musically inspired film, featuring some of the best Nor-Cal's graffiti artists, concentrating on West-Coast freight trains as their traveling canvas. This graffiti experience is a peak within the last few decades of the Wild West's graffiti-art culture on freight trains. "END FR8 PROJECT," showcases inspiring, aesthetically appealing techniques from top writers in their community while featuring END CREW and other top writers from the 90s through the modern era. Enjoy the latest underground DJs, producers and inspired musicians. Exclusive interviews by KrimeTime, featuring: Gigs, Deone, Mynas, Redes, Drone, Sushi and More!