A young transgender man explores his gender identity and searches for love in rural Nebraska.

Molly Ivins was six feet of flame-haired Texas trouble. She was a prescient political journalist, best-selling author, and Bill of Rights warrior. She took no prisoners, leaving both sides of the aisle laughing and craving more of her razor-sharp wit. It's time to raise hell like Molly!

An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.

Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

When her son's alleged kidnapper is released for lack of solid evidence, a reputable and well-known attorney takes matters into her own hands with unintended and spectacularly disastrous consequences.

The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.

Man has a new best friend in this heartwarming portrait of nine men whose lives have been forever changed by their proud love of cats.

Desillussioned by life, Béa decides to commit suicide. She is interrupted by a phone call with a proposal of work for a financial tycoon. Far from the watchful eyes of her boss, she practices fraud, but it seems it gonna last not so long.

Documentary about the Black Lives Matter movement.

In 2007 an indiepop music festival was born in the unlikeliest of settings - a heritage steam train site, Butterley Derbyshire. Bringing together passionate characters from two very distinct worlds this affectionate portrait is told from the point of view of the retired volunteers that run the locos who have "steam in their blood" and don't really know very much about "this indiepop music".

'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.

This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.

Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/

Are conspiracy theorists just "dumb"? What links anti-vax sentiment and QAnon? Disinformation expert Dr. Charles Kriel and director Katharina Gellein Viken go on the road to find out why yoga moms have fallen for conspiracy theory during the pandemic. The answers are not what you might think.

Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last traveling cinemas of the world running. A critically acclaimed, poignant documentary that celebrates India’s travelling picture shows and laments their demise, filled with exquisite visuals and marvellous eccentrics.

From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.

The Homeland of Electricity, Larisa Shepitko's adaptation of an Andrei Platonov story, was one of three short films collected in an omnibus work (Beginning of an Unknown Era) commissioned to honor the 50th Anniversary of the October Revolution. Censors eventually shelved the film and it would not see the light of day until well after Shepitko's death, during Mikhail Gorbachev's perestroika.

Daisy Asquith investigates the mysterious world of children's entertainers.