A sport like football is primarily a passionate celebration, but one that is so massive (economically, politically and socially) that it, of course, also brings many problems. Olallo Rubio's third documentary (and fourth film in total), Ilusión Nacional, is a take on how the world's most popular sport relates to Mexican society and politics.
The story about Danish national football (soccer) team, a traditional minnow until the mid-1980s when they improved dramatically and eventually went on to win the European championship in 1992.
Rousseau's first full-length feature, and one of the best documentaries/experimental films of the past few decades, sprung equally from Robert Bresson, Michael Snow, and Jean-Marie Straub (who has called Rousseau one of the three best working artists in modern Europe). Again hard places played against drifting sounds from unseen sites beyond the image; the images and sounds, repeated, become inflections of each other. But this time there are historical inflections; Rousseau's film, like Straub's, takes place in a sort of meta-history as characters and ancient sites each become products of outside light and shadow.
The documentary tells about the birth, history of formation and development of the National Football Team of Ukraine in the period from 1992 to 2022.
Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.
The greatest sport event in Sweden ever was without a doubt the soccer world cup of 1958. The film Conspiracy'58 is about the people who were there but most of all about the people who claim that it never took place at all.
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
New Jersey, June 18, 1994. Giants Stadium is awash with green as Irish soccer fans arrive to watch Ireland's opening World Cup match against the mighty Italy. The sense of optimism is infectious. The Celtic Tiger is in its infancy. Bill Clinton's decision a few months earlier to grant a visa to Irish Republican leader Gerry Adams has added momentum to an embryonic peace process. Jack Charlton's team walks onto the pitch before 75,000 fervent spectators who've traveled from across the globe for this game.
Chile hosts a decisive World Cup qualifier at Santiago’s National Stadium just weeks after the stadium had been transformed into a concentration camp and killing field for opponents of Augusto Pinochet (who had just gained power in a military coup). Though FIFA investigates the matter, the game goes on, with the Chilean team winning in a walkover after their opponents from the Soviet Union boycott in protest over the stadium's use
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.
Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.
In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".
Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.
Jorge, Omar, Lalo and Moy love soccer, but being blind have kept them away from this sport until they meet and decide to make their own team and compete to be a part of the national team and play in the Rio 2016 Olympic Games.
A filmmaker investigates his childhood memory of Brazil’s 1994 World Cup win, reflecting on capitalism and pop culture through a moody ’90s aesthetic.
The documentary chronicles women's experiences of discovering, dreaming, acting and rebelling together, namely the early years of the formation of a feminist movement in Turkey.
Douglas Tirola’s latest documentary traces the evolution of feminism through the lives of two exceptional women, Noel and Selma, who came of age in the ’50s when women were relegated to the roles of wives and mothers. During the height of the women’s movement, Noel, a former teen model and Playboy bunny, meets and falls in love with Selma, a tough, outspoken radical feminist. Both women choose to leave their comfortable, yet unsatisfying marriages and children to come out as lesbians. The two share a love of cooking and gardening and, in the ’70s, open Bloodroot, the first vegetarian collective restaurant and bookstore in Bridgeport, Connecticut. By interspersing archival footage and clips from The Stepford Wives, Tirola affectionately chronicles the cultural shifts of the last 40 years as Noel and Selma attempt to keep Bloodroot open as an indispensable gathering spot for progressive women.
Following the death of Amina Filali, a 16 year-old girl who killed herself after she was allegedly forced to marry the man who raped her, a young woman carries a personal investigation into the representation and perception of rape in Morocco. Here rapists are offered to marry their victims as a means to save the "honour" of the family. By liberating the voices of these victims, 475 : Break the Silence gives an unprecedented view of family, the deceit of love, relationships, marriage and honour in urban deprived areas of a country seeking to find its identity between modernity and tradition.
It is May 19th, 2001, the last gameday of the 2000/2001 Bundesliga season. A day which will go down in Bundesliga history as the most dramatic final. Ten years later, film director Judith Völker conducts her search for traces. She talks with players and decisionmakers, with celebrities and fans. Out of these memories, a moving review of the event, which is unforgettable (not only) for Schalke souls, is made.