Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

Satomi Oka is worried about his final choir competition but is accosted by a shadowy gangster, Kyouji Narita, who demands karaoke sessions with him.

A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader.

Former hitman Ginya Yabuki (Riki Takeuchi) left the mafia and split somewhat contentiously with his longtime former partner. Years later, that same ex-partner has emerged as the head of a very dangerous crime syndicate and Yabuki is forced to confront his former partner, which may start an all-out war within the Tokyo Mafia.

Ten years after his greatest triumph, Yabuki has lost the Mafia that was once his to rule. But when a young gangster comes to him for guidance, he discovers that the old rage still burns. It's time for Yabuki's final stand and one last blaze of glory!

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

A corrupt cop teams up with an unlikely partner to protect the city from a gang of ruthless drug addicts.

A band of siblings who were once robbers, thieves and killers of the west, decide to fulfill their fathers dying wish of abandoning their life of crime and pursuing the path of the holy. A post-apocalyptic Western about a divinely inspired family that must battle the most horrific forces of evil, testing their faith and evolving each one of them.

The film tells about Masayoshi, a noble Yakuza who lives by the laws of honor and humanity, and who is bound by an oath to his brother in a conflict between the Gamblers' family and the Tekiya family.

End of the Taisho period. In the city of Kiryu, where the wind is constantly blowing, the heads of the yakuza families of Kanhasshu (eight Kanto provinces) were to raise funds for the construction of the Chuji Kunisada monument. Responsible for the fundraiser was Jokichi from the Asami family, but Matsugoro from the Kuromatsu family, who wanted to become the greatest boss of the Kanhasshu yakuza, is trying to take over the textile market that Jokichi controls and intercept the fundraiser.

The yakuza have their best days behind them and are only a shadow of themselves. The old rituals seem out of date and their tattoos make them outcasts of society. The inexperienced student Ryō stumbles into their ranks by chance, and before he knows it, he becomes entangled in dark machinations. He quickly succumbs to the fascination of omnipotence fantasies and hedonistic decadence and sinks deeper and deeper into a parallel world of prostitution, blackmail and violence. However, there is one thing that Ryō has not considered in his naivety: once yakuza, always yakuza!

Power and politics collide with passion and ambition in a series of surreal vignettes. A wild ensemble of comedic characters present a dark vision of human character. As Father Time narrates 3 stories of hubris, death, and real estate.

Shimamura is a violent street thug who joins the yakuza & is merciless & unscrupulous on his rise, lacking any sense of either duty or chivalry. When imprisoned, he is repeatedly transferred from one prison to another, because no one can handle him.

A member of the jieitai ("Self-Defense Force"; i.e. Japanese military) is on leave and finds a woman giving birth in a graveyard in the former Yoshiwara district. He takes her to an inn to gove birth, and stays on a few days as she recovers, but becomes fascinated with the strange people he meets there, particularly the owner, who visits a house in his courtyard every day to talk and give food to his mother. He says she is very sick and can't leave bed, but no one else has ever been inside or seen her.