At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.
Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.
Pa.Va or Pappanekkurichum Varkeyekkurichum focuses on existential aspects of life in two close octogenarian friends Pappen and Varkey. The movie narrates the love and friendship shared between two close friends - Pappen and Varkey, in the backdrop of Christian families in Central Travancore.
In 1997, four campers went missing during the Phoenix Lights incident and their bodies were never found. The Phoenix Tapes 97 is comprised of their final footage. This film is dedicated to the lives lost during the events displayed. To their families and friends and to the authorities who continue to search for answers. The tapes were found by Dustin Miller's father two years after Dustin was mysteriously shot and killed at a traffic stop in Texas. Peter Miller believes his son was acting as a whistleblower and had smuggled the tapes from his classified government agency in an effort to expose the truth as to what really happened to the four missing campers seen in the tapes. After searching every newspaper and media publication around Phoenix during that time period, we only found one initial announcement that four campers were reported missing, as well as a formal police report folder with local PD but the folder had no files inside.
An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.
Irresponsible party girl, Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer, Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.
A documentary that explores the challenges that a life in music can bring.
Peabody Award winner Linda Moulton Howe and other experts explore the enigma of the colossal stone pyramids encircling our planet, both their purposes and the incomprehensible technology behind their creation.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
A woman attends a party where she is observed by and finally meets a mysterious guest.
A meditation on time and its effect on memory. About the rocks the sea tries to drag away from the shore, towards the ocean, with every wave.