Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Set in Munich's petty-bourgeois Westend, film documents life at home with former Fassbinder actor, Warhol collaborator, and horror movie director Ulli Lommel. Rather than a straight documentary portrait of this bohemian household, the camera prefers to follow the narrative impulses of the family members. Lost in serious play, the kids improvise hypnotic death scenes while their mother claims to come from a planet where everything is "ethereal and incorporeal." As parent-child relations are unscripted and re-scripted on the fly, the dilated time of a collective daydream is punctuated by the ordinary sounds of an electric toothbrush, vacuum cleaner, and piano.

Norman is not just an admirer of nature, he's a part of it. He survives the harshness of the climate and the wildlife by coexisting with it. With his wife Nebraska, they live almost entirely off the land, making money by selling their furs.

Alaska... Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the "Spirit of the Wild." Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

It is with an old bus an about thirty snakes that Franz Florez struggles for the preservation of nature in Colombia, one of the most environmentally diverse country in the world. His snakes are his pass to enter the deep jungle, where guerrillas fight the regular army and where narco-traffickers meet coca growers. Facing the threat of the industrial exploitation of these preserved areas, he tries to gather support among the population, including the armed actors.

The work draws an abstract image of a human that has internalized the images and stories of the world of advertising. A woman is sitting in front of a camera telling a story about an experience she had. Even though she is able to describe the events in great detail, the story also seems to be unlikely or implausible.

Adventure. Challenge. The simple joy of riding the wind. The best kiteboard riders each have their own reasons for pursuing their sport to its uttermost limits, but they’re united in revealing its breathtaking beauty to the world.

Jane Goodall has spent five years observing the chimps in Tanzania (formerly Tanganyika), Africa. One of her discoveries is that they use primitive tools. The film shows the life of the chimps. Retrospective note: This documentary features remarkable historical footage of Goodall, her original camp, and the Gombe chimpanzees. It shows the early years of Goodall establishing the site before it went on to become a world-renowned research center.

A woman attends a party where she is observed by and finally meets a mysterious guest.

Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.

Juana, Mar, and Eduardo tell their stories of abuse.

Etienne-Jules Marey, a French inventor who turned a gun into a camera. A hand-drawn hunter whose weapon, instead of firing ammunition, shoots photographs. Carlos, a Mexican wildlife photographer who used to be a real life hunter until he chose to get rid of all his guns. All come together in this poetic yet approachable animated documentary short film.

Shot on three cameras over the life cycle of one snowfall, Decaying Vessel is an expression of transness and the feeling of being stuck in a body bound by time.

Eugen Schuhmacher focuses on endangered and rare animal species such as the European bison and the Northern bald ibis as well as the general fauna of the diverse and species-rich continent of Europe. The need to protect nature and animals is made impressively clear through the power of images.

Is wilderness more valuable than money? It depends on who you ask. Loon is a through hiking naturalist who understands what’s truly valuable in life. At 80 years old with more than 2,000 acres of wilderness to his name, he must decide what to do with this precious asset.

During lockdown, Telmo Esnal recovered a long-forgotten project: 'UR', a tale by Pablo Azkue taking a deep look at the conscience and the sea. 'Urtzen' is a special cinematic essay, a curious collage which, recycling and reusing dialogues, images and music, reflects on existence.

The Southern Sea Otter was historically abundant along the California coastline until intense hunting pressures reduced their numbers to near-extinction levels. But now the otters are coming back, and with them they bring the potential for drastic change to the modern-day economics and ecology of the Santa Barbara Channel.