The definitive feature-length documentary on the creation of "Transformers: Age of Extinction".

A celebration of a great Jewish-American tradition. Beginning as places for Jews from Central and Eastern Europe to eat and meet, they expanded across America and eventually attracted as many non-Jews as Jews. Today, the number of Jewish Delis has shrunk dramatically and many of the survivors have adapted to changing times, sometimes in ways their forebears might not recognize.

Two small-town singers chase their pop star dreams at a global music competition, where high stakes, scheming rivals and onstage mishaps test their bond.

Karina arrives to a mansion to work as a governess of a group of singing children. She must take care of their education, and she decides to use music to teach them. Meanwhile, the record company where the children work is busy with another project. Their biggest star, Marta, is getting ready a song to represent Spain in the Eurovision Song Contest 1971. Carlos, the composer of the song, titled "En un mundo nuevo" ("In a new world") meets Karina in the mansion and starts feeling affection to the girl, something Marta, who is Carlos' girlfriend doesn't like at all. She is also jealous of Karina for her musical abilities, and when one day Marta catches Karina with Carlos singing a song composed for the governess, she gives him an ultimatum, if Karina doesn't leave the mansion at once, she will break her contract with the record company and won't sing "En un mundo nuevo" in the Eurovision Song Contest...

Being a stranger doesn’t necessarily mean to be coming from the farthest away. Karl and his mother are about to learn this when they move from the west coast of Denmark to the ethnically and religiously mixed area of Nørrebro in Copenhagen. Sawsan, a Danish-Turkish girl in Karl’s new class, takes him under her wings and tries to integrate him into the big city, with all its slang and hipness. Sawsan is far more experienced and blunt than most – especially compared to Karl, this young Danish boy from the provinces. Sawsan’s big dream comes true when one of her songs is chosen for the Danish version of the Eurovision Song Contest for kids. Sawsan’s father of course says no, but Karl has a plan.

My father only used a camera once in his life. Thirty years later, he asked me to digitise the material he had filmed. I was wondering what he remembers. Created from an impulse to rethink and rewatch personal archive footage, the film explores memory and its relation to documentation and non-institutional archive practices. Connecting politics with intimate spaces, the documentary questions both the influence of war on private archives and the role of gardens as places of new begginings.

Generation Impact is a new video series from the Garage by HP about cutting-edge young innovators who are using technology to create a more equitable world. The third film in the series, The Scientist, is about Emily Tianshi, a young woman striving to raise awareness and create solutions for the global water crisis. At age 13, Emily transformed her garage into a science lab to research San Diego’s unique Torrey Pine tree and uncovered how the tree’s unique needle structure enable its survival through years of severe drought in California. Using a $20 microscope, Legos and various household items, she developed a prototype to harvest atmospheric moisture, which has the potential to help produce water in areas of severe drought. Tianshi has applied for a patent on the device she created and is also the founder of Clearwater Innovation, an environmental advocacy program that encourages student innovation to solve environmental problems.

This documentary follows the life of a one-of-a-kind man, and his one-of-a-kind library. Luis Soriano is a Colombian schoolteacher who spends weekends taking his donkey, and book collection, to the poverty-ridden towns of Magdalena Province. Facing down drug dealers, dangerous creatures, and overbearing heat, Soriano bravely faces down fear to promote education and literature.

A procession from Artists' Campaign to repeal the 8th Amendment of the Republic of Ireland.

Ursula Le Guin reads an essay about her experience getting an illegal abortion in 1950 when she was a senior in college, highlighting how women’s success and happiness is predicated on bodily autonomy.

Documentary about the making of Buster Keaton's silent comedy classic, Sherlock Jr. (1924).

It used to be that trust was built with a firm handshake. Looking someone square in the eye. But as technology has taken a larger role connecting people and businesses, trust has evolved. Humans now rely on digital platforms for increasingly complicated, essential, everyday tasks. How did we get here? And what are the implications? "Trust This Film?" poses the question to leading tech visionaries: In this age of pervasive technology, how will trust – this essential human emotion – endure?

Episode of the Belgian Flemish Television (BRT) program Het Gerucht on the development of Anne Teresa De Keersmaeker's choreography "Bartók/Aantekeningen" (in English: "Bartók/Annotated"), created in 1986 for four dancers from the company Roses . "Bartók/Aantekeningen" is the fifth work by Anne Teresa De Keersmaeker, after "Ash" (1980), "Fase, Four Movements to the Music of Steve Reich" (1982), "Rosas danst Rosas" (1983) and "Elena's Aria". "(1984).

How does the most famous man in the world go missing overnight and is never heard from again for three years? That's what our host Leo is trying to find out, delving into the depths of the Brett Pick timeline, documenting his process of interviewing, researching, and finding answers to his questions. This is the Brett Pick story.

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A filmed homage to Sam Shepard, in a single fixed frame where the treetops sway under a moving cloud cover. Orchestrated by the camera in this forest environment, brief spoken and sung interludes evoke touching dedications punctuating the solitude of the scene.

The cast members reminisce about the show and present exclusive blooper footage never shown on television, as well as an update on their current activities.[1][2] The reunion took place at Fran Drescher's oceanside home in California. The entire cast was present except for Daniel Davis, who was performing in the musical La Cage aux Folles on Broadway at the time and was unable to attend. Also at the reunion were Drescher's mother and father, Sylvia and Morty, who made several appearances on the show. In the special, Daniel Davis, or "Danny", was said by Drescher to have gotten "lost". At the end of the special, "Danny" (actually Danny Bonaduce), makes an appearance.

Documentary about Buster Keaton's The 'High Sign' (1921) and Keaton's developing style.

Short documentary on the making of Buster Keaton's One Week.