A documentary surrounding the investigation into Litvinenko’s murder and the undeniable radiation health emergency. Who were the people behind the scenes who dealt with a deadly radioactive poisoning on British soil?

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

In her documentary, director Sabine Michel revisits her own experiences during the fall of the Berlin Wall in 1989 and Germany's subsequent reunification, as well as those of her four friends Claudi, Vera, Claudia and Veruscha. The five women were about 18 years old at that time, and belonged to the last school class in Dresden to graduate in the German Democratic Republic. The country and society school had prepared them for suddenly ceased to exist, thus they had to completely start anew. More than twenty years later, the five women travel to Paris together. During the train ride, they talk about their former dreams and aspirations, and how different their lives turned out to be.

When Fien discovers that her sister Hannah is threatened by a vicious crocodile that is making her very skinny and sick, her world is turned upside down. Fien enlists the help of Mum and Dad to join Hannah in defeating the crocodile, so that Hannah will make it to her next birthday.

Collin and his older brother Gilles often had to do without their father, who was frequently away on military service. But this summer is different. Their father’s new job means he will be at home, with them, all the time. While 12-year-old Collin is interested in his father’s military life, he has a different view of the world. He dreams of becoming a musician. Will his father understand this ambition? Can they reconnect after all these years?

Documentary presenting Alan Parker’s view of British cinema with comments from Richard Lester and others and location report from King’s Lynn on the making of Hugh Hudson’s Revolution, starring Al Pacino, Donald Sutherland, and Nastassja Kinski.

A look at the making of The Beach Boys' 24th studio album, "Keepin' the Summer Alive".

The Grove documents a community of skateboarders who came together during lockdown, to build a DIY skatepark, in a derelict pub's car park in Dulwich, south London. DIY’s are never forever, this is an insight into the challenges and battles the crew faced on their journey.