Christine Collins is overjoyed when her kidnapped son is brought back home. But when Christine suspects that the boy returned to her isn't her child, the police captain has her committed to an asylum.

A young photographer Thun and his girlfriend Jane discover mysterious shadows in their photographs after fleeing the scene of an accident. As they investigate the phenomenon, they find other photographs contain similar supernatural images, that Thun's best friends are being haunted as well, and Jane discovers that her boyfriend has not told her everything. It soon becomes clear that you can not escape your past.

When Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.

Jaime, a poem of suffering and loneliness, describes the existence and pictorial work of a man isolated in a psychiatric hospital.

A hedonistic bachelor - he is his rich family's black sheep - falls for a suicidal mental patient.

During a hallucinatory incident, Kristen Parker has her wrists slashed by dream-stalking monster, Freddy Krueger. Her mother, mistaking the wounds for a suicide attempt, sends her to a psychiatric ward, where she joins a group of similarly troubled teens.

James, the only child of Marni the poor widow, dreams of winning a lottery worth Rp 120 million. He is angry when his mother wakes him up and orders him to find a job. Going in and out of offices and unable to find work, he daydreams in the park of taking off the gold from the National Monument. With the money, he would establish Siluman Kontraktor company with Dewi as his secretary and also his girlfriend. Then he is woken up by the police who want to inspect his identity card. Considered insane, he is admitted to a mental hospital. Here, he is always rowdy and stirs things up. Most of the film is used to exploit the craziness of the hospital. James finally escapes.

Psychiatric patient Elmeri knows about the existence of a gold treasure in Finnish Lapland, hidden there by his late father who somehow managed to capture it from withdrawing German troops on the last days of WW2. His openly gay nurse helps him escape from the mental institution, and the two men slowly find their way up north to reach the gold. On their way, the odd couple meets a cavalcade of even odder characters.

Confined to a mental hospital, young Kirsty Cotton insists her supposedly dead father is stuck in hell, controlled by sadomasochistic demons after being betrayed by his evil, occult-obsessed wife, Julia. Few believe Kirsty, except the thrill-seeking Dr. Channard, who is intrigued by the young woman's lurid stories. So when Kirsty and fellow patient Tiffany head to hell for a rescue, Channard and Julia are close behind.

When her scientist ex-boyfriend discovers a portal to travel through time -- and brings back a 19th-century nobleman named Leopold to prove it -- a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century. The more time Kate spends with Leopold, the harder she falls for him. But if he doesn't return to his own time, his absence will forever alter history.

Like most kids, Ned idolized his father and dreamed of following in his footsteps. Unfortunately, his father was a two-bit crook who spent most of his life in jail. Without a family of his own, Ned falls in with the Aryan Brotherhood. Soon after, Ned is placed in a mental hospital where he is mesmerized by a young black girl who believes Adolf Hitler was reincarnated in her.

The story of Romulus, his beautiful wife, Christina, and their struggle in the face of great adversity to bring up their son, Raimond. It is a story of impossible love that ultimately celebrates the unbreakable bond between father and son.

A wretch employee wins a lot of money in the lottery and loses his mind. When he comes out of the mental hospital, he finds out that things at his home have changed radically.

4 mental patients formulate the plan to rescue their kidnapped doctor and teach the kidnappers a lesson.

A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.

Nuclear war breaks out and the staff and patients of a mental hospital take refuge in an underground bunker and accidentally get locked in. Disciple soon disintegrates and the patients, led by Richard, start to resist authority. Richard devises a scheme for a new social order where the sane will take no part. The doctors try to resist but are ultimately overcome.

Back in the early 1970s, at a mental institution near the Russian border, a crazed doctor, Dr. Anderson assumed the persona of "the Auteur," and began murdering his patients while filming the atrocities. Thirty years later, an American film crew has arrived at the hospital to shoot a horror film based on those awful events. The director, Steven, is determined to make the film as realistic as possible, a goal that doesn't seem too far-fetched when his Finnish sound men discover a hidden room in the hospital basement. There, perfectly preserved, are the original snuff films shot by "the Auteur". As Steven's obsession grows, his cast and crew begin to fear for his sanity. But this is only the beginning, because when Steven discovers actual camera used by "the Auteur", he assumes the role of the murderous doctor and the real slaughter begins.

Basilio a pickpocket with no luck, enters a mental institution to retrieve a valuable diamond necklace that briefly passed through his hands and whose value was unable to recognize. Once inside the asylum, Basilio will try to use all the skills of his trade to overcome the threats that keep him from reaching his goal. In the end, the only escape for Basilio will be to undergo the "Torapia", an innovative experimental therapy that connects man with the beast within us all.

The owner of a failing circus has to cope with the return of her son after he is released from the psychiatric hospital with complete loss of memory.

Dialoguing directly with the trilogy of documentaries “Images of the Unconscious”, made between 1983 and 1986 and based on clinical cases and therapies with a humanist approach and artistic expression, conducted by the pioneering psychiatrist Nise da Silveira (1905-1999) – screenwriter of that film –, here is presented, in two parts, an interview with the doctor, a student of Carl Jung and a pioneer in the application of non-violent treatments for psychiatric patients, given to director Leon Hirszman, in 1986. The conversation is divided in two parts: the first, "The emotion of dealing", the second, "The egress".