Jesus often taught His followers using stories called parables. The parables of The Talents, The Rich Man and Lazarus, and The Two Sons, are presented together to reinforce important principles. They teach us how to be good stewards of the things that we have been given. These timeless truths help us focus on our faith in God and His power to help us live our lives in accordance with His teachings.
Jesus is asked to judge an inheritance dispute, but instead He uses this conflict to affirm the eternal ideals of His Beatitudes taught in the Sermon on the Mount. Jesus teaches the wronged brother to forgive and love his brother. All who follow Jesus must learn that what we own has little to do with who we are. Important ideals of stewardship and preparedness are emphasized through the parable of the House Built on Rock.
The O'Dell farm is on the rocks. A non-traditional accountant comes with a variety of ways to save the farm.
Jerry is awakened from a nightmare by a knock on the door: someone has left a foundling in a walnut shell with a note, giving his name as Nibbles and saying he needs lots of milk. Fortunately, there's a dish handy, but it's next to Tom. Nibbles scurries out and dives off Tom's nose, then grabs a whisker for balance, waking Tom up. Jerry grabs him just in time and they hide under the milk. Tom laps up some milk and gets Nibbles; Jerry rescues him, and they run for the hole. Next, they try a very long straw; Tom catches them and sucks Nibbles through the straw. Much chasing follows, with a pause now and then for some milk. Tom traps Jerry in a milk bottle and chases Nibbles a while; he finally corners Nibbles and spanks him with a flyswatter. Jerry is so enraged he burst out of the milk bottle and lets out a ferocious roar; he grabs Tom by the tail and thoroughly pummels him, then stands over him as Tom feeds Nibbles milk.
In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.
Jerry crashes a vase onto Tom's head, which gets Mammy to throw Tom out. Jerry at first revels in his freedom, but soon tires of this, and, under a flag of truce, hatches a plan with Tom.
Jasper is given an ultimatum by his master: break one more thing and you're out. Rodent Jerry does his best to make sure that his tormentor "gets the boot".
Tom subjects Jerry to his usual harassment; but the cat finds a new enemy, and the mouse finds a new friend, in the canary of the house.
Evolution on Earth over the course of a billion years.
Tom is given the task of guarding the fridge during the night by Mammy-Two-Shoes, but as soon as he has started he is tricked by Jerry into falling into the basement, where he lands in a barrel of cider. Now drunk, Tom staggers around in the house getting up to no good with Jerry.
Tom's advances on a young jive-talking girl cat get nowhere; nowhere, that is, until Tom gets a zoot suit. Armed with his miles of fabric and a new cool lingo, Tom still has to deal with the tricks of his nemesis, Jerry.
Mammy Two-Shoes replaces Tom with a younger cat who is a lightning-quick mouser. Tom and Jerry form an alliance in order to get rid of this dangerous newcomer.
Lily and Jim are interviewed about their disastrous blind date.
In this clever satire of toxic men, a cartoon pickup artist is violently torn apart by the women he targets, seen only through his own one-sided, ridiculously misogynistic point of view. Don Hertzfeldt's first student film, he plays the part of a mentally unwell animator who's losing his grip within his own movie; an idea he'd later revisit in other early "meta" shorts "Genre" and "Rejected". Despite being produced at the age of 18 and not intended for exhibition, HBO named it "The World's Funniest Cartoon" in 1998.
Alice and Julius are driving a train, which is carrying a large payroll. Pete the Bear and his gang find out about it and devise a plan to rob the train.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
Babylonian forces invade Jerusalem and carry away many of the city’s finest young people, including Daniel and his three young friends, Shadrach, Meshach and Abednego. In captivity, the youths are in the king’s service and outperform all their rivals— pleasing the king and frustrating their enemies. When Darius, the new king, makes Daniel his first president, Daniel’s enemies plan a trap to have him killed. When Daniel survives being thrown in the lions’ den, he proves that God still rules over the affairs of men.
With script and direction by Pablo Villaça and starring the comedian Geraldo Magela, Morte Cega has as main character a failed filmmaker named Francis (Maurício Canguçu, producer and one of the main actors of the theatrical success "Believe, a Spirit Downloaded Me"). One night, Francis has a frightening dream about Magela, known throughout the country for playing the character O Ceguinho. Determined to make a short film based on this dream, Francis uses his producer friend, Martinho (Carlos Magno Ribeiro, who acted in Villaça's first short, A_ética), to get to the comedian. From then on, the meeting brings unexpected results for everyone involved.