Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics. When Mercury's increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Lou Reed was wise to chronicle a concert by his early-'80s band, featuring lead guitarist Robert Quine and bassist Fernando Saunders. Reed had used them on his trilogy of strong albums -- The Blue Mask, Legendary Hearts, and New Sensations -- released between 1982 and 1984. This 52-minute video, shot at the Capitol Theater in Passaic, NJ, in 1984, is a straightforward, no-frills live show. Reed, in black T-shirt and black leather pants, stands on-stage before a cityscape background and makes his way through a set that features both a selection of Velvet Underground songs, and his sole hit single, "Walk on the Wild Side," plus highlights from his three recent albums, notably such songs as "I Love You Suzanne." As such, the video makes a good Lou Reed career sampler.

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

A look at the "private clubs" of London. From the famous political clubs of the 18th century to the gambling clubs and the bohemian night clubs of the West End.

The film Fire Over London is about the operation of the London Fire Brigade. In an office's switchboard room we see one of the hideous T&N green and ivory telephones supplied by General Telephone Systems. Another shot deep in the bowels of St Paul's Cathedral gives a glimpse of a two-tone grey ATE 'Coffin Phone' as used on Communications Systems private exchange systems.

A look at the day-to-day running of the historic Tower of London and coping with up to 16,000 visitors each day. A stunning display of the Crown Jewels.

A look into London's street markets and how they're suffering to compete with supermarkets.

A documentary about the life of the four members of punk rock band Dreads 'N' Drones. The footage allows a peek into the rise of the group, their creative interactions and the importance of 'cirandeiro'. This is the first of many grasshoppers to come.

Rockpile plays for a Danish Television audience in 1979. Tracks: 1.DOWN,DOWN,DOWN 2.I KNEW THE BRIDE 3.DEBORAH 4.LET IT ROCK 5.HERE COMES THE WEEKEND 6.LOVE SO FINE 7.PROMISED LAND 8.THEY CALLED IT ROCK 9.JU JU MAN 10.HEART OF THE CITY

PC-4L follows a powerviolence band’s ritual of drinking Four Loko during practice. It originated with Victoria filmmaker Ailín Ó Dálaigh and was shot on Super 8mm film in one day on a visit to Dallas, TX with filmmaker Dariel Hernandez.

This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.