After a wild party at Rainbow Day Care, Dolores announces that it's time for a nap. The Power Rockers don't want to follow her rules. Then Baby Marciano shows up and invites them to Planet Me, a planet without rules, where everything is possible.
The annual ghost convention introduces swing music to their tired out old scares.
American dancer and choreographer Hermes Pan recalls his life and work as he relives the glorious history of the Hollywood musical.
A black comedy directed by Walter Deuber and Peter Stierlin.
A young woman who is unable to pay her rent gets some unexpected help when the other tenants throw a last-minute rent party in her apartment. In the process, they all charm the landlady out of a year's rent. The entire story is told in song (swing music) and dance (Jitterbug, Lindy Hop etc.).
The daughter of a formerly wealthy man tries to get a job singing on a radio show, but gets involved in a feud and murder.
Documentary about the mid-20th century Vegas bandleader and trumpeter Louis Prima, who showed the world what a rock show could be.
The Mothership has landed! Parliament-Funkadelic plays an out-of-this-world set at The Summit in Houston, Texas on Halloween night 1976.
Musical satire based on Anthony Hope's Ruritanian novel "The Prisoner of Zenda" in which a commoner takes the place of a lookalike king.
The Modernaires sing "Juke Box Saturday Night".
The Harlem Blues & Jazz Band during its sunset years: 87-year-old Al Casey, who had worked closely with Fats Waller throughout the 1930s; guitarist Lawrence Lucie, 95 years young, from the bands of Louis Armstrong, Benny Carter and Duke Ellington; saxophonist Bubba Brooks, 79, who was with Bill Doggett; Edwin Swanston, 80, pianist with Louis Armstrong's Orchestra; 91-year-old drummer Johnny Blowers, ex-Bunny Berigan, Billie Holiday and Frank Sinatra; Ivan Rolle, 85, bassist with Jonah Jones; and 88-year-old Laurel Watson, one-time vocalist with Duke Ellington and Count Basie. Baron's cameras record the musicians through their tours and concerts, capturing their joy in performing together. A celebration of the jazz spirit.
Django Reinhardt's music still looms as the standard to be attained some 50 years after his death.
The astounding George Clinton and the P-Funk All Stars in a powerful live performance at Jazz à Vienne, France, in 2005
Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.
Harris Malden wears his insecurity on his face in a curious disguise for everyone to see. No one in the neighborhood, not even his best friend Paul or his brother Melvin, has the heart to tell him how ridiculous he looks with the thick black line above his lip. Harris Malden fakes his facial hair, and as far as he's concerned, nobody can tell.
Carol Burnett and Julie Andrews join forces for their third TV Special. Following the format of their first two specials, Julie and Carol: Together Again is an entertaining hour of comedy, song, and dance, featuring clips from their first performances together, an extended medley of 70s and 80s hit songs and even riotous a rap number!
Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.
The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.
Conducting the Wiener Philharmoniker, Andris Nelsons presents a concert night which concentrates every conceivable passion: Bernd Alois Zimmermann’s Trumpet Concerto “Nobody knows de trouble I see” performed with “technical perfection” (Kronenzeitung) by “the fantastic Håkan Hardenberger” (Salzburger Nachrichten) and Mahler’s Symphony No. 2 in C minor “Resurrection”. “Nelsons proved to be delicate but hearty when interpreting Mahler.” (Wiener Zeitung). The conductor led the Vienna Philharmonic Orchestra to “enticingly beautiful sounds” (Die Presse). “High praise goes to the vocal soloists Ekaterina Gubanova, Lucy Crowe and the Bavarian Broadcasting choir.” (Salzburger Nachrichten)
Cleveland. 1973. Marv, the owner of an old neighborhood Jewish deli, must stay open 24 hours to cater to a new generation of clientèle, but straight-laced neighborhood do-gooders want to close him down. Meanwhile inside, hippies, bikers and crusty old Jewish men, caught in the throes of changing times and culture clash, fight over turf and yearn for a waitress to take their orders. Into this milieu drops new waitress, Susan, a wholesome small town beauty who must struggle with testy customers, a dubious romance, and a jealous head-waitress. Her future and the fate of the regulars hang by a thread as Marv takes increasingly desperate measures to save his deli.