Brian Eno and Roger Eno have been recording together since 1983. This unique musical event not only sees the two brothers performing live together for the first time but is one of very rare occasions that Brian has ever performed live in front of an audience. In front of a sell-out crowd and against a backdrop of spectacular images being projected onto the stones of the Odeon of Herodes Atticus amphitheatre, Brian and Roger perform atmospheric musical landscapes from legendary productions that include ambient records, television soundtracks and film scores.
In November of 1995, the Rolling Stones released the acclaimed album 'Stripped,' their second release on the Virgin Records label after 1994's 'Voodoo Lounge.' The concept for 'Stripped,' a studio/live hybrid album with stripped-down instrumentation, was conceived as a kind of response to 'MTV Unplugged' while the band was on their big-scale 1994/1995 world tour in support of 'Voodoo Lounge.' A total of four stripped-down concerts were held at small venues in Amsterdam, Paris and London, and recorded for the album 'Stripped.' The concert that was released under the title "Live from Paris 1995" on DVD and SD Blu-ray as part of the 2016 'Totally Stripped' deluxe boxed set took place on July 3, 1995 at the Paris Olympia, a venue with a capacity of about 2000. Three songs from this intimate concert were included on the original 'Stripped' album, namely "Shine a Light," "Let It Bleed" and "Angie."
A trip through the diversity of black and native Peruvian music. Character-driven film, one where the characters are integral to the nation itself. This movie delves into music and musicians, yet it's not strictly a musical; rather, it's a tapestry of seemingly disparate personal narratives woven together in a country also striving to define itself and sketch its identity
As part of their 1994/1995 Voodoo Lounge world tour, the Rolling Stones gave a handful of small-scale, stripped-down concerts in Europe as a kind of response to 'MTV Unplugged.' This show that took place on July 19, 1995 at the Brixton Academy in London, a venue with a capacity of about 5000, was the final of a total of four club shows. The other shows were held in Paris and Amsterdam, and all of them were recorded for a forthcoming album, which was eventually named 'Stripped' and released on November 13, 1995. Two songs from the London show made it on the album, namely "Dead Flowers" and the Bob Dylan-penned "Like a Rolling Stone," with the latter also being released as the lead single off the album. "Black Limousine" and "Live with Me" from this show were chosen as the B-sides for the singles "Like a Rolling Stone" and "Wild Horses," respectively. The full Brixton Academy concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.
On April 30th 2013 millions of Dutch people dressed in their national colour oranje gathered all around the Netherlands with Amsterdam being the capital of the celebrations. Of course the coronation of Willem Alexander and his wife Máxima was the occasion and a highlight of that unforgettable day was a very special concert that André Rieu, the undisputed King Of The Waltz, gave in honour of the royal couple and the Queen for 30 years, Beatrix. On the world renowned Museum Square in the heart of the city André Rieu and his Johann Strauss Orchestra entertained the audience for almost 100 minutes making the city waltz and swirl. The program features classics like Time To Say Goodbye , Don t Cry For Me Argentina and of course the title André wrote for the new King, the Coronation Waltz .
A trip through the archives that serves up an hour of killer Queen material, featuring some of the band's greatest musical moments ever delivered to our screens. The legendary band’s huge international status and punishing touring schedules meant that over the years they made surprisingly few appearances on programmes like Top of the Pops, and tragically for their fans, several of those performances were either lost or never recorded. This collection brings together the very best of what’s survived from one of the most enduring and best-loved acts in British rock, featuring perhaps the most charismatic and best-loved frontman of all time. Amongst the gems are moments from the band’s celebrated 1975 concert at London’s Hammersmith Odeon and highlights from their trips to the prestigious Montreux Pop Festival in the 1980s – an event that would attract the cream of the world’s music acts every year.
Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC... At the dawn of the 80s, a whole host of strangely dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk.
An Irishman sets out to become famous as a singer on the radio. Due to a mix up he is instead entered as a contestant on a quiz show.
FIG TREES is a documentary opera about AIDS activists Tim McCaskell of Toronto and Zackie Achmat of Capetown as they fight for access to treatment drugs. Documentary interviews, speeches, press conferences and demonstrations are sampled, taken apart, and set to music, replayed this time as operatic scenes. A surreal fictional narrative is intercut with the stories of their struggles against government and the pharmaceutical industry. In this fictional world, Gertrude Stein decides to write a tragic opera about Tim and Zackie and their saint-like heroism. She kidnaps them, transports them to Niagara Falls, and forces them to sing a series of complicated avant-garde vocal compositions. However, when Zackie ends his treatment strike and starts taking his pills, Gertrude realizes that there will be no more tragedy, and thus, no more opera.
A unique synthesis of orchestral music from Wagner's Ring cycle, arranged in a free-flowing and chronological cycle by world-famous conductor Lorin Maazel. Comprised of the four operas of the Ring cycle, "The Ring Without Words" manages to capture the musical mind of one of the most exceptional and gifted composers in history in only seventy minutes. The Berlinker Philharmoniker plays the work with breathtaking depth of expression. Recorded live at Philharmonie Berlin, 2000. Source: Amazon.com
In the far-off future of 2001, a young boy from outer space lands on earth inside a flying peach. The boy (named Apple) is adopted by a Catholic priest, but soon disappears. Three schoolgirls decide to search for him, and soon find evidence that he is being held captive in a trendy dance club. What is the club owner doing with him, and will his adopted father ever see him again?
A documentary about the brilliant and versatile cult figure Harry Smith (1923-1991) – compiler of a famous three-part folk album, film-maker, painter, anthropologist, obsessive collector and thinker.
Tropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.
Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
Live in '87 A HUNDRED days is the seventh video release released by Nakamori Akina. It was released on Augsut 25, 1993. It was recorded on October 17, 1987 @Shinjuku Kousei Nenkin Kaikan.
The film explores the cultures and ideals of the enslaved blended on the long trans-Atlantic trips, creating new cultural practices, religions, and philosophies. "Paper Doll" specifically looks at the themes of death and rebirth within this wider concept.
The rock band Grace Potter and the Nocturnals perform in Austin.
Two criminals are reformed when they meet and fall in love.
Calling the Tune offers a fascinating look at the fledgeling gramophone industry as it tries to solve the problems of reliable recording and production methods. 'I predict that the gramophone will be the democratic entertainment of the future' states unscrupulous record label boss Mr Gordon (Sam Livesey), who finally gets his comeuppance after one dirty trick too far against his rivals. If the film's love story is perfunctory, the real interest comes with watching performers of the day, from Henry Wood and his orchestra to George Robey and Charles 'the laughing policeman' Penrose laying down their recordings direct to record. And something very like a prototype laser disc makes a crucial appearance too.