A lawyer turned private investigator takes on a missing person case, propelling him on an unexpected and life-altering quest.

In northern Colombia, a group of queer activists use their extravagance to denounce the disastrous exploitation of the largest coal mine in Colombia through performative actions.

An autistic man, running for president of the United States, joins forces with a Native American woman to find solutions for the country's problems.

A young girl attempts to navigate the sea front on the search of her missing alcoholic mother over one night.

A man who is dressed in shabby clothes is eating from a trash heap and walking the streets. He may be deeply wounded and has an uneasy look about him. Then, by chance, he meets up with his old lover.

A lonely boy finds his passion in football and pursues the sport to endure the difficulties of growing up.

Jorge is 70 years old and is one of the most capricious and dedicated janitors at the Paradise Motel, except for a single detail: He secretly records the audios of the room’s guests. Selling these audios to Alberto earns him an extra income as well as affection, even though Jorge no longer remembers what his own pleasure sounds like.

It tells the story of Chen Zhen, a little man in Shanghai in the late Qing Dynasty, who transformed and grew up after going through hardships.

2025 – The earth’s resources are severely weakened and the authorities are struggling to find viable solutions. Oxygen becomes a priority and the main concern of governments. The population has been living to the rhythm of alerts for the last two weeks and finds itself forced to take refuge for two hours a day in specially equipped basements with self – managed air ventilation.

France Simčič is a gentleman who moves into the Veselje home for the elderly. He meets Majda, who lives in her own world.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

Two orphaned sisters, one working as a singer (Sabah), and the other working as a dancer (Nadia Jamal), decide to escape from their mother and her husband who takes their money. They go to a famous singer (Farid al-Atrash) to work in his band. He discovers the talent of the singer and falls for her.

Brazil. 2020. A family lives with the energy of the house cut off. While the mother works, her children stay at home talking about having hope.